The coronavirus pandemic has rocked our world as we knew it, bringing visceral waves of anxiety and fear and unspeakable, unbearable loss in its wake. For many of us, our way of life, our livelihood, our intimacies, and our social connections have been relegated to the phone and the internet—digital lifelines of virtual contact in which the very medium of connection can accentuate the distance, the loneliness.
These abstract worlds are composed of undulations and vibrations that I define as beings. The cosmic forces that come together in the scenes find their impulse in the decomposition of modern dualism, in contemporary ways of relating to the world, and in a nature that does not faint in its eternal flourishing. In this way, Bloom emerges as a body of work in development, composed of small- and large-format artwork designed for both digital and analog media.
The day in April that Ivanka Trump appeared on the dais with Angela Merkel at the Women’s Summit in Berlin, I was in my office. I was listening to a vibrant and astute young woman in her twenties as she confessed, a little sheepishly, that her new shirt had “trendy” sleeves…
I try to rise up each time the pits of Trump fears and anger draw me down. Many people speak of the tangle of old fears…
Ani Buk is a Training Analyst and on Faculty at the Contemporary Freudian Society and the Graduate Art Therapy Program of New York University, as well as the Kint Institute, a post-graduate program focused on the use of the creative arts therapies to treat traumatized populations.
I try to rise up each time the pits of Trump fears and anger draw me down. Many people speak of the tangle of old fears…
Eugene Mahon is a Training and Supervising psychoanalyst at Columbia Psychoanalytic. His forthcoming volume of poetry BONE SHOP OF THE HEART is in press with IPBooks.
An eighty-four year old woman who has been in therapy for years for chronic anxiety has a satisfying and still thriving career, a solid marriage…
