Art Photo by Matt Palmer. Tasmania, Australia, 2021.

ELEGY AND OBSERVATION: FOR CHORUS AND ELECTRONICS by Eric Chasalow

Elegy and Observation is an environmental requiem. Drawing on ancient and modern texts, the piece leaps and lurches among perspectives from intimate to global, tender to catastrophic. So too, our perceived relationship to the natural world is constantly shifting, from the poet’s tension between fear and delight, to scientific observation, biblical prediction of catastrophe, the unassailable truth of species extinction, and the poetry of those who have experienced natural disaster.

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Art © Jacqueline Shatz

THE GESTURE AND THE MEANING by Jacqueline Shatz

Jacqueline Shatz’s work has been included in exhibitions at the June Kelly, Monique Knowlton, and Kouros galleries in New York City, and she has curated and organized many exhibitions, including CollageLogic which was last presented in 2012 at Hampden Gallery at UMass in Amherst. She is a recipient of a NEA Individual Fellowship, a Craft Alliance New Techniques grant and several NYFA SOS grants. She has been artist-in-residence at the Kohler Arts/Industry program, where she created a series of music box sculptures and collaborated on sound and sculptural installations for Glyndor Gallery at Wave Hill and on Governors Island. She had a show at The Garrison Art Center in 2015.

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Art © Gjertrud Hals

THE NET by Gjertrud Hals

I was born in 1948, on Finnøy, an island with two hundred inhabitants. My family was living close to the factory where my father and grandfather were mechanics, making and installing engines for the fishing boats. During my childhood, there was an abundance of herring fishing going on every winter. The herring were caught in large nets and hauled up in smaller ones. When the weather was bad, the harbor was packed with boats, and big bunches of fishnets were hanging to be dried. Every summer holiday I spent with my grandparents, living on the tiny island Notholmen (not=net) on Hustadvika.

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Art © Daniel Derderian

A VISUAL ESSAY ON OTHERNESS by Daniel Derderian

I want to stay a little naïve and desperately in touch with my emotions rather than become anxious and angry. It’s not easy to understand society at this moment. It’s not easy to be reassured when “fake’ is a new derivative of reality. It’s not easy to trust people when power games go beyond understandable limits, and when polarization is more recognizable than union in diversity. It’s not easy to stay in touch with your own nature during a pandemic and other natural disasters… But I’m trying.

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