ROOM 6.21 Cover. Illustration by Login /Shutterstock.com

CLOSE UP by Hattie Myers

“An urgent sense of the possible contributed to my pursuit of psychoanalytic training over a decade ago, back when CO2 levels were still below 400 ppm. At the time, my analyst and my own analysis were introducing me to an unanticipated world of depth, beauty, and tolerable terror from which I rarely wanted to surface.” So begins Susan Kassouf’s essay, “A New Thing Under the Sun.” Kassouf quickly recognized that her new profession did not lend itself to thinking about the “more than human” environment, let alone climate catastrophe. “There was no useful language to describe what I was sensing,” she writes, so she creates the word she needs. Elaine Zickler understands Kassouf’s drive to find the right words.

Illustration by Kursat Unsal /Shutterstock.com

LETTER FROM BRAZIL

I started my psychoanalytic learning and political activism in the city of Rio de Janeiro, Brazil. It was the spring of 1981, a time of turmoil and search for personal and collective freedom. I migrated from Brazil to the United States in 1990 with my husband, daughter, and all twenty-four volumes of the Brazilian edition of the works of Sigmund Freud.

ROOM 2.21 Cover

JUST SAYIN’ by Hattie Myers

“Radical openness does not mean that we empty our minds but that we open our minds to the prospect of losing the understandings to which we are attached.” So begins An Interview with Anton Hart. To be fair, though, perhaps “loosening attachments” when face to face with the trifecta of fascist racism, COVID, and environmental extinction may be near impossible. It’s a big ask if, in the midst of existential terror, we are holding on for dear life.

ROOM 10.20 Cover

RE-VISION by Hattie Myers

For Freud, nearing the end of his life, the fateful question for the human species came down to whether and to what extent our cultural development would succeed in mastering the disturbance our aggressive and self-destructive instincts inflict upon our communal life.

Photo by IHH Humanitarian Relief Foundation | Azez, Aleppo.

WAR AND PANDEMIC IN ALEPPO by Mohamad Kebbewar

Danger during the war in Aleppo was marked with sound and smoke. During the pandemic, danger is boundless. It can be everywhere and anywhere. The most fashionable and well-off person can carry the virus and pass it on to me, while on the other hand, an armed person walking next to me on the sidewalk could be harmless. The invisible danger is what makes the virus lethal. In war, if the sound is far away, then I can assume I am safe.

Photo by Matthew Roth

FIRE AND ICE IN PORTLAND by Joshua Maserow, Maryam Omidi, and Omer Leshem

Portland protesters armed with leaf blowers and cardboard signs face off with masked federal agents sporting fatigues and riot gear—guns, truncheons, and shields. Orange tear-gas clouds plume up from the tarmac as the agents grab protesters and hurl them into unmarked cars. These are images typically associated with far-off, war-torn countries ruled by authoritarian regimes—not democratic governments. But in less than six months, some of the most toxic elements of the US national psyche have risen to the surface, denuded by the global pandemic and bull-horned across the country by the divisive and belligerent rhetoric of the White House.

ROOM 6.20 Cover

STANDING STILL by Hattie Myers

Psychoanalysis, art, and poetry make visible and expand the boundaries of our psychic reality and so the world. But what happens when those boundaries fracture? When we are on top of each other and oceans apart? When days merge and space contracts? When inner and outer reality converge on a pixilated screen? Just this. We must create a new path forward.

dimitry-b-FtOzmrLJU-o-unsplash

LETTERS FROM LOCKDOWN by Tiffany Chu

Last week, I dug up a box of my parents’ old letters. They were written before my parents were married, while my mom was still in Taiwan and an ocean away from my dad in the United States. A surprising number of the letters were in English; the writing is stilted, and it’s clear that English is neither of my parents’ first language, but the mundane recounting of their days felt somehow both endearing and sacred. Holding the tangible artifacts of my parents’ courtship in my hands, I imagined for the first time the twentysomethings they were when they wrote those letters.