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Traversing boundaries, cultures gained and cultures lost, and sensations across time and space are continual themes in my work. I left India at age eight and, ever since, have worked to reconcile what has been lost and found. My work…
For me, artmaking is the documentation of what I see and seek to understand. Watching, synthesizing, recording, I lay it all down with paint, no words, just light, color, shape and space.
I am interested in the word, the image, the symbol. I am in love with bone. I am fascinated with the body and the end. The body is an impermanent landscape which we cannot truly know until we have also…
Grace Bakst Wapner’s work with urethane or satin, clay or bronze, chiffon or pipe cleaners in an interactive dialogue between material and object has been determinative in her process. In the early 1970s she erected walls and barriers constructed from satin…
Deborah Dancy is a multimedia abstract artist whose paintings, drawings, digital photography, and small sculptures play with the shifting intersection between abstraction and representation. Her many awards include a Guggenheim Fellow, a Yaddo Fellow, the American Antiquarian Society William Randolph…
Lia Dostlieva (Лія Достлєва) is an artist, cultural anthropologist, and essayist, born in 1984, in Donetsk, Ukraine. She is the recipient of several scholarships, including the Gaude Polonia Scholarship Programme for a Foreign Cultural Professional and a Visiting Fellowship for…
Liliana Zavaleta is a visual artist who was born in Lima, Perú. She grew up in the United States and has lived and studied in Europe, the Near East, and South America. Zavaleta obtained her university degrees in French and…
Kelin Perry is an artist and architect born in Charlotte, North Carolina. She graduated with a Bachelor of Architecture from SCI-Arc in 1979 and has since practiced architecture in Atlanta, Georgia, where she currently lives. Perry’s art centers on found…
Angyvir Padilla lives and works in Brussels. In her practice, she invites us to take a closer look at the places we inhabit. By examining how we embody memory, she proposes that, in the journey between immanence and transcendence, the…
Elegy and Observation is an environmental requiem. Drawing on ancient and modern texts, the piece leaps and lurches among perspectives from intimate to global, tender to catastrophic. So too, our perceived relationship to the natural world is constantly shifting, from…
Jacqueline Shatz’s work has been included in exhibitions at the June Kelly, Monique Knowlton, and Kouros galleries in New York City, and she has curated and organized many exhibitions, including CollageLogic which was last presented in 2012 at Hampden Gallery…
I was born in 1948, on Finnøy, an island with two hundred inhabitants. My family was living close to the factory where my father and grandfather were mechanics, making and installing engines for the fishing boats. During my childhood, there…
I want to stay a little naïve and desperately in touch with my emotions rather than become anxious and angry. It’s not easy to understand society at this moment. It’s not easy to be reassured when “fake’ is a new…
The songs comprising my October 2020 release, Ghosts of Our Former Selves, including the two presented here, were deliberately composed in a confessional mode. They form a forty-minute sonic memoir that draws on everything I have spent my six-plus decades…
Famly of Humans seeks to illustrate how we all are equal, regardless of the color of our skin or the shape of our features. It begs acceptance of the idea that tolerance and respect without judgment can exist. By presenting…
My work is a deep dive into the human mind. I became very interested in what happens inside our minds ever since I had to deal with a case of mental disturbance in my family.
For a long time, I have used my body in creation of my work. The landscapes/maps on canvas are distillations of my urban wanderings, both physical and psychological. The emergence of these public performances—I’ll call them “urban en plein air…
It is important to make the distinction between the languages of contemplation and those of action. The language of the birds is a contemplative language. It delivers its messages directly, the meaning of which disappears, it ceases to be understood,…
