I am a psychoanalyst from Moscow. Moscow has become empty. I’ve never seen Moscow in this condition. We now live in uncertainty and isolation. I do not have experience with remote analysis. As of this week, I have needed to reorganize my entire working schedule…
I work privately and in our public health system—where most of our patients come from severely impoverished backgrounds—where therapy can be framed as being psychoanalytically informed.
I’m noticing that my relationship to the experience of self-disclosure is being affected by this health crisis we are all in the midst of…
Thanks for this space! I hope you’re doing well with all the restrictions. I have two thoughts: First, we are dealing with the fear of death, this fear of annihilation, which is experienced differently for each of us and must be especially mobilizing for those who are in the high-risk group. Generally, for the older generation…
Thank you for the valuable ideas you are sharing in this space. I appreciate it so much. It gives me a lot of support to do my job. Thank you for the generosity and time that you are taking now in sharing your experiences. In this post, I want to limit my ideas to the topic of technologies and treatment. Two weeks ago, I found myself in a very different and new scene. As I have had no experience in remote treatment, I have tried to do my best to maintain a psychoanalytical frame…
I am heartened that we have this shared space for the days and weeks ahead. I have been at my office for four days now and have worked with the majority of my clients by phone or Skype, although a significant number have chosen in-person sessions. We have modified our office setting to make this as safe as possible. I feel somewhat fortunate in that part of my practice for some time now has been on the phone or Skype…
The president stubbornly and arrogantly persists in directing his own personal reality show, which in fact exposes an ongoing assault on reality itself and on the public’s intelligence. Our protests and resistance often situated in the public squares and streets of American cities, large and small, have been taken away…
Jeneva Stone is the author of Monster, a mixed genre collection. She has received fellowships from the MacDowell and Millay Colonies. Her poetry and essays have appeared in numerous literary journals, including Waxwing, Scoundrel Time, and APR, with work forthcoming in New England Review.
For a long time, I have used my body in creation of my work. The landscapes/maps on canvas are distillations of my urban wanderings, both physical and psychological. The emergence of these public performances—I’ll call them “urban en plein air interventions”—have become imperative for my survival “in the time of now.”
I have been reading most of the emails I can from all countries, and it helps me to feel accompanied in difficult moments, as well as it helps me to think about and to elaborate upon an experience that perhaps is overcoming us and is totally new.
