[…] Watching the rituals of fascism, these people can see what the Leader does not want to be seen. They can look at him and through him. Their eyes seem to be everywhere. In the United States, we can sense that this gaze shatters fascism’s narcissistic mirror. To MAGA, this gaze must feel like a shaming panopticon. It is no wonder that these unregulated bodies evoke paranoia and rage in the dominant.
The story of Afghanistan, my young women informants have taught me, is yet more complicated even than a battle between communism, democracy, and Islamic forces or a battle over women’s position in society. Stories upon stories, I have learned, compose the story of a country. But just being a woman of a certain generation is not the whole story, either. My young informants have disabused me of the notion that there is one Afghanistan story.
We are the Light is a forum and gathering place offering free and open expression to women from around the world whose voices are seldom heard and whose futures are threatened. The education and health of women, attention paid to the development of girls and women, and inclusion of the outlooks of women are critical to the welfare of the world.
[…] In my dream, a vampirish presence is approaching fast to feed on me. It dawns on me that this is an unconscious representation of those for whom my heart bleeds. On waking up, shame replaces terror. Besides one’s identification and caritas, is it possible I have perpetuated a private caste division in which I must protect myself against the ones condemned to starve?
Seeing and being seen are also obviously essential to individuals. They form a part of the psychopathologies addressed in psychoanalytic treatments, ranging from a need to be invisible to a need always to be seen. Pointing out the similarities between national and individual realities puts us in mind of the tragedy of large groups.
I Witness Silwan, begun in 2019, is neighborhood arts collaboration that supports the struggle waged by Silwan’s Palestinian residents to stay on their land.
Reflecting on the moment, this wasn’t simply the first time I was more honest with a client; it was the first time I was more honest with myself. These thoughts had been brewing for some time, but I had never spoken them aloud before. My dissent left me feeling uneasy and enlivened—uneasy because I feared abandoning my faith’s admonition to not be “of the world,” and enlivened because I was stepping into a truer version of myself…. this faith journey burdens my mind with more existential aches and pains than I care for; but if anything is worth the struggle for me, it’s the task of exploring where meaning and purpose reside.
I grew up in the blue state of Rhode Island, where my father was active in local Democratic politics. I voted mostly for Democrats but registered as an Independent. While I never missed voting in a presidential election, I didn’t keep up with local or state politics. I simply had no time. I hoped our Sherwood Forest friends would come to their senses when they saw how woefully unprepared Trump was to govern. … But no matter what outrageous action Trump and the Republicans took, our friends reacted positively. When they realized we didn’t share their enthusiasm, they stopped talking politics with us. In the fall of 2018, I snapped.
Think what it would be like,” Italo Calvino wrote, “to have a work conceived from outside the self, a work that would let us escape the limited perspective of the individual ego, not only to enter into selves like our own, but to give speech to that which has no language… ” Of course we know that no person and no theory can ever escape the limited perspective of Calvino’s “individual ego.” Taken together, however, the authors and artists in ROOM 6.24 are giving language to a world that is rendering us all increasingly speechless.
Inside and outside of sessions, I am a speaker of different languages. The slang of Bronx classrooms and Castle Hill housing projects spices my English, and a New York accent peppers my sentences. For clinicians unversed in the lexicon of BX/NY culture, let me put you on.