“To be stupefied,” Jared Russell explains in his provocative essay Stupidity, “is to regress in the face of the unexpected, to have one’s critical faculties paralyzed.” The contributors to Room 2.20 may be terrified and even heartbroken in the face of the unexpected, but they are not stupefied.
I relocated from San Francisco to Caracas, Venezuela, in March 1999, just one month after Hugo Chávez assumed the presidency. He presented himself as a socialist intent on helping the underclasses and ending corruption, and I was ready to sign up. In addition to my practice and teaching at Universidad Central de Venezuela and Universidad Católica Ándres Bello, I started writing a monthly article in the English-language newspaper under the title “The Psychology of Everyday Life,” addressing topics such as childrearing and adolescent issues.
In the Anglo-American world, men are brought up to value a body image that is hard, flat, and impermeable, more like a wall, whereas women are taught to value or at least be content with one that might be softer or more flexible and is certainly leaky, like a fence.
Donald Trump’s penchant for attacking his opponents by projecting onto them his own disavowed personal attributes and apparent self-assessments has been a consistent feature of his rhetorical style and remarked upon by many observers. For instance, in her recent book The Death of Truth: Notes on Falsehood in the Age of Trump, Michiko Kakutani (2019) observes, “Trump has the perverse habit of accusing opponents of the very sins he is guilty of himself: ‘Lyin’ Ted,’ ‘Crooked Hillary,’ ‘Crazy Bernie.’