Anne Sherwood Pundyk is a painter and writer based in Manhattan and Mattituck. Her recent solo exhibitions include Salena Gallery, LIU Brooklyn, NY; Adah Rose Gallery, Kensington, MD; and Christopher Stout Gallery, Bushwick, NY. A selection of her group exhibitions include, EMINENT DOMAIN, Chelsea, NY; VSOP Projects, Greenport, NY; Guild Hall Museum, East Hampton, NY; University of Bridgeport, Bridgeport, CT; and SPRING/BREAK Art Show, New York, NY. Her artwork is in the collection of Barclays Bank, State Street Bank, The Luciano Benetton Foundation, Glamorise Foundations, Equity Residential, Marriott International, Katie Couric, Anthony Grant, Cy Twombly, Barry Hoggard and James Wagner among others in the US and Europe. Her paintings have been written about in artcritical, The Brooklyn Rail, Hyperallergic, ART21 Magazine, ArtUS, ARTslant, Hamptons Art Hub, Art511 Magazine and The Washington Post.
In the summer of 2016, several IPTAR clinicians began to meet with administrators at the International Rescue Committee to discuss forging a partnership in which IPTAR therapists would provide pro bono services to IRC clients who are refugees resettling in NYC.
I paint to create a space “to be,” a space to reflect and connect me back to the physical world. My images spring when I pause to be “in the moment” and absorb where I am and what’s happening. When making cursory sketches or snapshots, I’m drawn especially to characteristics that transcend time and exist outside of narrative and that mix the everyday and the transcendent, the scripted and the spontaneous.
A girl scavenges for food in the streets of Caracas. From 2014 to 2017, a visual essay about the starvation crisis in Venezuela by the photojournalist Federico Parra.
Mariño’s work evokes the privation and moans of those who suffer a deep crisis similar to the post-war artistic expressions…
Leah Lipton, LCSW, is a psychoanalyst and collage artist in New York City. She is a supervisor at the Institute for Contemporary Psychotherapy (ICP) and a faculty member at ICP and the Psychoanalytic Psychotherapy Study Center (PPSC).
I wish I knew exactly what drew me in. I do recall what I brought: a bullet and my late husband’s dried wedding boutonniere. Melissa Ichiuji, the workshop teacher, was afraid the bullet could explode easily. I reassured her it wouldn’t. I just never imagined something solid could explode without impact.
This collage was made as I was transitioning, from film making to psychoanalysis. It is torn
up road maps of everywhere I have ever lived.
“Political” is part of a series of experimental paintings which are mediations on the concepts of transience and impermanence. Specifically, I am interested in the “mono_ no_ aware” state. The bittersweet appreciation of a moment or as some say the ahh-ness of the experience.
THIS BODY OF WORK EMERGES following the death of my mother. Driven to find what is within, as an artist and psychoanalyst, and now as a motherless child, I become aware that the very effort is based on questions without answers. No amount of digging, desire or toil will let me penetrate what is inside (the Unconscious, the Body, Death). I listen as a psychoanalyst, dig and mold and craft as an artist. I am in the presence of what is no longer living, yet that which still seems to be animated, undergoing transformation.