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IMPOSSIBLE BOTTLE by Marc Alan Di Martino

Marc Alan Di Martino is a Pushcart-nominated poet and author of the collection Unburial (Kelsay Books, 2019). His work appears in Rattle, Baltimore Review, Palette Poetry, Valparaiso Poetry Review, Rust + Moth, Matador Review, Innisfree Poetry Journal, and many other journals and anthologies. New work is forthcoming in Tinderbox, Free Inquiry, and First Things. His second collection, Still Life with City, will be published by Pski’s Porch in 2020. He lives in Italy.

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SUNLIGHT IS THE BEST DISINFECTANT by Jeneva Stone

Jeneva Stone is the author of Monster, a mixed genre collection. She has received fellowships from the MacDowell and Millay Colonies. Her poetry and essays have appeared in numerous literary journals, including Waxwing, Scoundrel Time, and APR, with work forthcoming in New England Review.

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TREMORS by Hattie Myers

“To be stupefied,” Jared Russell explains in his provocative essay Stupidity, “is to regress in the face of the unexpected, to have one’s critical faculties paralyzed.” The contributors to Room 2.20 may be terrified and even heartbroken in the face of the unexpected, but they are not stupefied.

Illustration by Mafe Izaguirre

DIVING INTO THE STREAM by Daniel S. Benveniste

I relocated from San Francisco to Caracas, Venezuela, in March 1999, just one month after Hugo Chávez assumed the presidency. He presented himself as a socialist intent on helping the underclasses and ending corruption, and I was ready to sign up. In addition to my practice and teaching at Universidad Central de Venezuela and Universidad Católica Ándres Bello, I started writing a monthly article in the English-language newspaper under the title “The Psychology of Everyday Life,” addressing topics such as childrearing and adolescent issues.

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TRUMP’S WALL by Sheldon Bach

In the Anglo-American world, men are brought up to value a body image that is hard, flat, and impermeable, more like a wall, whereas women are taught to value or at least be content with one that might be softer or more flexible and is certainly leaky, like a fence.

Photo by Michael Vadon | Edited by Mafe Izaguirre

PROJECTION AS A POLITICAL WEAPON by Chris Bell and Gary Senecal

Donald Trump’s penchant for attacking his opponents by projecting onto them his own disavowed personal attributes and apparent self-assessments has been a consistent feature of his rhetorical style and remarked upon by many observers. For instance, in her recent book The Death of Truth: Notes on Falsehood in the Age of Trump, Michiko Kakutani (2019) observes, “Trump has the perverse habit of accusing opponents of the very sins he is guilty of himself: ‘Lyin’ Ted,’ ‘Crooked Hillary,’ ‘Crazy Bernie.’

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STAYING THE COURSE by Hattie Myers

We have lost our grip on any shared sense of reality. Post-Truth philosophers provide cold comfort, telling us we haven’t really lost anything; we have, in fact, gained understanding that reality has never been there to grip. And the deconstructivists tell us that the credibility of any source (and we can include the post-truth philosophers here) is up for grabs. Any way you turn it, truth is subjective and personal. Truth is what we agree upon. Truth is tribal. ROOM 10.19 weaves together a few psychoanalytic truths. We do not hold these truths to be self-evident. Psychoanalytic truths are hard won.

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NEOLIBERAL GASLIGHTING by Scott Graybow

The term “analytic action” assumes new complexity when we use it to enhance meaningful discourse about our unsettling and turbulent political reality. It opens doors to the possibility of kindling a deeper connection to parts of our psychoanalytic heritage, such as Freud’s free clinic movement. It brings to mind concerns expressed by early psychoanalysts Otto Fenichel, Wilhelm Reich, and Erich Fromm about the way sick societies produce troubled minds. Most importantly, it introduces two pressing questions. First, what issues occurring outside the consulting room demand analytic action? Second, what renders “action” outside the consulting room “analytic”?

© Sophie Sandberg. Temporary graffiti made with chalk by Sophie Sandberg in New York City for the art street action @Catcallofnyc to stop harassment

CATCALLS OF NYC by Sophie Sandberg

Catcalls of NYC is a grassroots initiative and collective that uses public chalk art to raise awareness about gender-based street harassment. We solicit stories of harassment and their locations in New York City. Then, we go to those locations, write out the comments word-for-word in sidewalk chalk alongside the hashtag #stopstreetharassment…

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TOXIC DRIP by Charles Rizzuto

Think back, if you will, to the halcyon days of the Reagan regime, with the Great Communicator’s elaborate economic agenda he called “trickle-down economics.” The alleged benefits never trickled down to most of us, and we know now that the whole thing was little more than a hoax disguising further wealth distribution upward. (We’ll put aside, for now, the fact that the current administration has once again duped the nation and resurrected this bogus plan with its recent tax cuts and other deep discounts for the wealthy and superwealthy.)