PLAYING FOR REAL by Eugene Mahon
Room’s definition of itself as a “sketchbook of psychoanalytic action” got me thinking: What is psychoanalytic action? Is it action informed by considerable analysis of all its components and determinants?
NO JOKING MATTER by Coline Covington
The world listens as Donald Trump, President of the United States, on a state visit to the United Kingdom bemoans the fact that Prime Minister…
TAKING THE U.S. PERSONALLY by Michael A. Diamond
Politics is about power — who has it and who doesn’t. Politics is also about ethics, fairness, justice, and governing assumptions about the state of nature…
A TEAR IN THE FABRIC by Delia Battin
William Blake was outraged by the idea of a bird in a cage, it being a violation of the natural order. One can only imagine what he would think…
OUTSIDE OF HISTORY by C. Jama Adams
Engaging with marginalized social histories and recognizing the psychic consequences these histories hold for the treatment dyad poses a challenge for psychoanalysis…
BURIED NECK DEEP by Lama Z. Khouri
Lately, a dream I had twelve years ago has been coming back to me. I dreamt that my four-year-old son (he’s sixteen now) was buried neck deep in the middle of a neighborhood and surrounded by modest houses…
AFTER THE LYNCHING MUSEUM by Elizabeth Trawick
“Nigger take this! Take it, I tell ya!” Howard yells at the black carhop. It is 1951 in Macon, Georgia. I am eight years old. My brother, Toby, is six. We are in the back seat of a 1948 Ford. I am cringing. I do not know what Toby…
WHAT HAPPENED TO THE DEMOCRATS? by Carolyn Ellman
What happened to the party of the working class? When did the Democratic party become a party that neglects the poor? When did politicians stop fighting for economic equality…
ESTRANGEMENT EFFECT by Aneta Stojnić
As a young candidate transferring from the field of performing arts and theory into psychoanalysis, I am struck by their provocative resonances. In addition to theoretical connections, I have noticed between psychoanalysis and performing arts/performance studies…
PSYCHOANALYSIS’ FOURTH WALL by Isaac Tylim
The “fourth wall” is a technical device used by actors. It works in the following way: Actors choose a spot in the back of the theater, internalize it, and move on with the action, bypassing the potential interference of….