PERHAPS by Aremu Adams Adebesi

Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.

Illustration by Mafe Izaguirre

OTHERING by Aremu Adams Adebesi

Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.

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THE POWER IS IN YOUR PULSE by Paula Coomer

Paula Coomer spent most of her childhood in the industrial Ohio River town of New Albany, Indiana. The daughter of more than two hundred years of Kentucky Appalachian farmers, she moved to the Pacific Northwest in 1978. She has been a migrant farm laborer, a waitress, a bean sorter in a cannery, a cosmetics saleswoman, a federal officer, a nurse, and a university writing instructor. Her essays, short fiction, and poetry have appeared in Gargoyle, Ascent, and The Raven Chronicles, among others.

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THE WITNESSES by Margarita Serafimova

Margarita Serafimova is the winner of the 2020 Tony Quagliano International Poetry Award and a 2020 Pushcart nominee. She has four collections in Bulgarian and a chapbook, A Surgery of A Star (Staring Problem Press). Her chapbook, En Tîm (Wilderness) (San Francisco University Poetry Center), and a full-length collection, A White Boat and Foam (Interstellar Flight Press), are forthcoming. Her work appears widely, including in the Nashville Review, LIT, Agenda Poetry, Poetry South, Botticelli, London Grip, Steam Ticket Literary Journal, Waxwing, A-Minor, Trafika Europe, Noble/ Gas Qtrly, Obra/Artifact, great weather for Media, Origins, and Nixes Mate Review.

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SHELTER by Nan Cohen

Nan Cohen is the author of two books of poetry, Rope Bridge and Unfinished City. The recipient of a Stegner Fellowship, a Rona Jaffe Writer’s Award, and an NEA Literature Fellowship, she lives in Los Angeles and codirects the poetry programs of the Napa Valley Writers’ Conference.

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LOVE IN PANDEMIC TIMES by Galit Hasan-Rokem

Galit Hasan-Rokem is professor emerita of Hebrew literature and folklore research at the Hebrew University. In addition to many scholarly books and articles, she has published three poetry volumes in Hebrew and several poetry translations of major Swedish poets into Hebrew. She is also co-editor of The Defiant Muse: Hebrew Feminist Poems from Antiquity to the Present and cultural editor at the Palestine-Israel Journal.

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WORKING AT HOME, DAY 5 by Amy Miller

Amy Miller’s full-length poetry collection The Trouble with New England Girls won the Louis Award from Concrete Wolf Press. Her writing has appeared in Barrow Street, Gulf Coast, Tupelo Quarterly, Willow Springs, and ZYZZYVA. She lives in Ashland, Oregon, where she works for the Oregon Shakespeare Festival and is the poetry editor of the NPR listeners’ guide Jefferson Journal.

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IMPOSSIBLE BOTTLE by Marc Alan Di Martino

Marc Alan Di Martino is a Pushcart-nominated poet and author of the collection Unburial (Kelsay Books, 2019). His work appears in Rattle, Baltimore Review, Palette Poetry, Valparaiso Poetry Review, Rust + Moth, Matador Review, Innisfree Poetry Journal, and many other journals and anthologies. New work is forthcoming in Tinderbox, Free Inquiry, and First Things. His second collection, Still Life with City, will be published by Pski’s Porch in 2020. He lives in Italy.

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SUNLIGHT IS THE BEST DISINFECTANT by Jeneva Stone

Jeneva Stone is the author of Monster, a mixed genre collection. She has received fellowships from the MacDowell and Millay Colonies. Her poetry and essays have appeared in numerous literary journals, including Waxwing, Scoundrel Time, and APR, with work forthcoming in New England Review.

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NEW YORK by Eugene Mahon

Eugene Mahon, MD, is a training and supervising psychoanalyst at Columbia Psychoanalytic Center for Training and Research. He has published three books—A Psychoanalytic Odyssey, Rensal the Redbit, and Boneshop of the Heart—and numerous articles on psychoanalysis. He practices in New York City.

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THE PLANTS ARE HAPPY by Kate Angus

Kate Angus’s work has appeared or is forthcoming in Barrow Street, Indiana Review, Court Green, Gulf Coast, The Atlantic´s online Object Lessons series, The Washington Post, and the Academy of American Poets’ Poem-A-Day feature. She is the recipient of an A Room of Her Own Foundation Orlando award and an Elizabeth Kostova Foundation Sozopol Seminar fellowship, as well as residencies from the BAU Institute, the Betsy Hotel’s Writer’s Room and Interlochen Arts Academy (writer in residence). Angus is the author of So Late to the Party (Negative Capability Books) and the founding editor of Augury Books. Born and raised in Michigan, she currently lives in New York.

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SLOW FUSE OF THE POSSIBLE: ON POETRY & PSYCHOANALYSIS by Kate Daniels

Kate Daniels is the Edwin Mims Professor of English and director of creative writing at Vanderbilt University. She is the author of six collections of poetry, including In the Months of My Son’s Recovery (May 2019). A graduate of the New Directions program at the Baltimore Washington Center for Psychoanalysis, she has been a member of the writing faculty there for a decade. She lives in Nashville.

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POWER FAILURE by Eugene Mahon

Eugene Mahon, MD, is a training and supervising psychoanalyst at Columbia Psychoanalytic Center for Training and Research. He has published three books —A Psychoanalytic Odyssey, Rensal the Redbit, and Boneshop of the Heart—and numerous articles on psychoanalysis. He practices in New York City.

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SACRED by Abraham Velazquez, Jr.

Abraham Velazquez Jr. is a youth worker at the Brotherhood/Sister Sol (Bro/Sis), an organization in Harlem that provides comprehensive, holistic, and long-term support services to youth who range in age from eight to twenty-two. He is also a cofounder of the Hip-Hop and poetry collective the Peace Poets, sharing art which responds to social and political crisis in over forty countries. Abraham earned his master of arts in educational theatre at New York University, where he studied theatre of the oppressed with Julian Boal, Barbara Santos, and Sanjoy Ganguly. In 2015, Abraham released his first solo album, A South Bronx Tale, engineered by Grammy Award recipient Mikaelin “Blue” Bluespruce.

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TRANSFERENCES by Jane Lazarre

Jane Lazarre’s most recent book is The Communist and the Communist’s Daughter, a memoir. Her first memoir, The Mother Knot, was recently published in Spain as El Nudo Materno. Other works include Beyond the Whiteness of Whiteness: Memoir of a White Mother of Black Sons, and the novels Inheritance and Worlds Beyond My Control. She has just completed a collection of poems, Breaking Light.

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THERE GOES by Polly Weissman

Polly Weissman is a mostly nonfiction writer who takes facts more seriously than is currently fashionable. She has published books for children and contributed to many textbooks. She is currently working on a novel about someone who keeps getting it wrong.

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CLYTEMNESTRA by Sara Mansfield Taber

Sara Mansfield Taber is the author of Born Under an Assumed Name: The Memoir of a Cold War Spy’s Daughter, the writer’s guide Chance Particulars: A Writer’s Field Notebook, and two books of literary journalism. Her poetry, essays, travel, and opinion pieces have appeared in literary magazines such as The American Scholar and newspapers such as the Washington Post. A psychologist and social worker, she has taught creative nonfiction writing for twenty years.