The coronavirus pandemic has rocked our world as we knew it, bringing visceral waves of anxiety and fear and unspeakable, unbearable loss in its wake. For many of us, our way of life, our livelihood, our intimacies, and our social connections have been relegated to the phone and the internet—digital lifelines of virtual contact in which the very medium of connection can accentuate the distance, the loneliness.
Disordered was a collaborative, participatory street art project designed to destigmatize mental health challenges like depression and anxiety, and reframe health as a societal issue. The project took the form of conversations, stickers, signs, and a mural in public spaces around New York City. Through a combination of social practice and guerrilla strategies, Disordered intervened in public places, creating a space for personal interactions about the connections between mental health challenges and societal issues. It pushed ideas about how our history, culture, political, and economic systems affect our health in order to inspire personal, social, and political transformations.
For the previous issue of ROOM, I contributed a piece that argued against the idealization of tolerance, diversity and understanding that I see so many in the psychoanalytic community currently engaged in. I’m aware that some readers…
A patient in her early thirties recently admitted that she hadn’t voted, yet again…
In the epigraph, Jimi Hendrix’s poetic alter-ego expresses skepticism in regard to being seen and heard. Does he pose a question: “Can you see me?”; a demand: “Can you see me!”; or perhaps a plea: “Can you see me…please”?…
An eighty-four year old woman who has been in therapy for years for chronic anxiety has a satisfying and still thriving career, a solid marriage…
