We Say “Never Forget” by Tom Hennes

Essays

I don’t believe others have the right to diminish the traumas we have experienced, or we those of others. At the same time, we have to ask ourselves, it seems to me, whether any of us do humanity a service by rallying around the cry of Never Forget when that cry means we should never forget precisely those things that prevent us from knowing the traumas that others have experienced, perhaps even at our own hands—the ways that our good may have been their bad, or could become so, even without our knowledge or consent.

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REASSEMBLING FRAGMENTS by Zak Mucha

Essays

When I was a little kid, I thought my uncle was hysterical. He told no jokes, but he didn’t treat me like a kid, either. He was always a problem for the rest of the family. At one point, my mother told me, “If people in suits come looking for your uncle, you don’t know where he lives.” Actually, he lived down the block. My uncle always had a job but never seemed to be working.

© Anne Sherwood Pundyk

PAINTING AS THEATRE OF AGENCY by Anne Sherwood Pundyk

Art

Anne Sherwood Pundyk is a painter and writer based in Manhattan and Mattituck. Her recent solo exhibitions include Salena Gallery, LIU Brooklyn, NY; Adah Rose Gallery, Kensington, MD; and Christopher Stout Gallery, Bushwick, NY. A selection of her group exhibitions include, EMINENT DOMAIN, Chelsea, NY; VSOP Projects, Greenport, NY; Guild Hall Museum, East Hampton, NY; University of Bridgeport, Bridgeport, CT; and SPRING/BREAK Art Show, New York, NY. Her artwork is in the collection of Barclays Bank, State Street Bank, The Luciano Benetton Foundation, Glamorise Foundations, Equity Residential, Marriott International, Katie Couric, Anthony Grant, Cy Twombly, Barry Hoggard and James Wagner among others in the US and Europe. Her paintings have been written about in artcritical, The Brooklyn Rail, Hyperallergic, ART21 Magazine, ArtUS, ARTslant, Hamptons Art Hub, Art511 Magazine and The Washington Post.

SOCCERSCAPES by Shelley Himmelstein

Art

I paint to create a space “to be,” a space to reflect and connect me back to the physical world. My images spring when I pause to be “in the moment” and absorb where I am and what’s happening. When making cursory sketches or snapshots, I’m drawn especially to characteristics that transcend time and exist outside of narrative and that mix the everyday and the transcendent, the scripted and the spontaneous.

© Lean Lipton

COLLAGE by Leah Lipton

Art

Leah Lipton, LCSW, is a psychoanalyst and collage artist in New York City. She is a supervisor at the Institute for Contemporary Psychotherapy (ICP) and a faculty member at ICP and the Psychoanalytic Psychotherapy Study Center (PPSC).

Against the Wind © Natalie Korytnyk Forrester

SCULPTING GRIEF by Natalie Korytnyk Forrester

Essays, Art

I wish I knew exactly what drew me in. I do recall what I brought: a bullet and my late husband’s dried wedding boutonniere. Melissa Ichiuji, the workshop teacher, was afraid the bullet could explode easily. I reassured her it wouldn’t. I just never imagined something solid could explode without impact.