The Accidental Activist by Nancy Prendergast

The Accidental Activist by Nancy Prendergast

I grew up in the blue state of Rhode Island, where my father was active in local Democratic politics. I voted mostly for Democrats but registered as an Independent. While I never missed voting in a presidential election, I didn’t keep up with local or state politics. I simply had no time. I hoped our Sherwood Forest friends would come to their senses when they saw how woefully unprepared Trump was to govern. … But no matter what outrageous action Trump and the Republicans took, our friends reacted positively. When they realized we didn’t share their enthusiasm, they stopped talking politics with us. In the fall of 2018, I snapped.

Photo by Jovis Aloor

PROTESTATION by Daisy Bassen

Daisy Bassen is a poet and practicing psychiatrist who graduated from Princeton University’s creative writing program and completed her medical training at the University of Rochester and Brown. Her work has been published in Oberon, McSweeney’s, The Sow’s Ear, and [PANK] as well as multiple other journals. She was the winner of the So to Speak 2019 Poetry Contest, the 2019 ILDS White Mice Contest, and the 2020 Beullah Rose Poetry Prize. She was doubly nominated for the 2019 Best of the Net anthology and for a 2019 Pushcart Prize. She lives in Rhode Island with her family.

PERHAPS by Aremu Adams Adebesi

Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.

Illustration by Mafe Izaguirre

OTHERING by Aremu Adams Adebesi

Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.

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THE POWER IS IN YOUR PULSE by Paula Coomer

Paula Coomer spent most of her childhood in the industrial Ohio River town of New Albany, Indiana. The daughter of more than two hundred years of Kentucky Appalachian farmers, she moved to the Pacific Northwest in 1978. She has been a migrant farm laborer, a waitress, a bean sorter in a cannery, a cosmetics saleswoman, a federal officer, a nurse, and a university writing instructor. Her essays, short fiction, and poetry have appeared in Gargoyle, Ascent, and The Raven Chronicles, among others.

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DENYING DEATH: LIVING MADNESS A Podcast Review by Richard Grose

Steven Reisner, a New York psychoanalyst known for leading the successful effort to get the American Psychological Association to stop having any connection with torture sessions, has come out with a podcast series called Madness: The Podcast. In episode six, “The Masque of the Black Death (Racism in the Time of Trump),” Reisner speaks to us in a voice that conveys the urgency of this moment when the nation seems to be hurtling toward what could be an explosive decision point regarding Trump.

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THE WITNESSES by Margarita Serafimova

Margarita Serafimova is the winner of the 2020 Tony Quagliano International Poetry Award and a 2020 Pushcart nominee. She has four collections in Bulgarian and a chapbook, A Surgery of A Star (Staring Problem Press). Her chapbook, En Tîm (Wilderness) (San Francisco University Poetry Center), and a full-length collection, A White Boat and Foam (Interstellar Flight Press), are forthcoming. Her work appears widely, including in the Nashville Review, LIT, Agenda Poetry, Poetry South, Botticelli, London Grip, Steam Ticket Literary Journal, Waxwing, A-Minor, Trafika Europe, Noble/ Gas Qtrly, Obra/Artifact, great weather for Media, Origins, and Nixes Mate Review.

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SHELTER by Nan Cohen

Nan Cohen is the author of two books of poetry, Rope Bridge and Unfinished City. The recipient of a Stegner Fellowship, a Rona Jaffe Writer’s Award, and an NEA Literature Fellowship, she lives in Los Angeles and codirects the poetry programs of the Napa Valley Writers’ Conference.

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LOVE IN PANDEMIC TIMES by Galit Hasan-Rokem

Galit Hasan-Rokem is professor emerita of Hebrew literature and folklore research at the Hebrew University. In addition to many scholarly books and articles, she has published three poetry volumes in Hebrew and several poetry translations of major Swedish poets into Hebrew. She is also co-editor of The Defiant Muse: Hebrew Feminist Poems from Antiquity to the Present and cultural editor at the Palestine-Israel Journal.

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WORKING AT HOME, DAY 5 by Amy Miller

Amy Miller’s full-length poetry collection The Trouble with New England Girls won the Louis Award from Concrete Wolf Press. Her writing has appeared in Barrow Street, Gulf Coast, Tupelo Quarterly, Willow Springs, and ZYZZYVA. She lives in Ashland, Oregon, where she works for the Oregon Shakespeare Festival and is the poetry editor of the NPR listeners’ guide Jefferson Journal.

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IMPOSSIBLE BOTTLE by Marc Alan Di Martino

Marc Alan Di Martino is a Pushcart-nominated poet and author of the collection Unburial (Kelsay Books, 2019). His work appears in Rattle, Baltimore Review, Palette Poetry, Valparaiso Poetry Review, Rust + Moth, Matador Review, Innisfree Poetry Journal, and many other journals and anthologies. New work is forthcoming in Tinderbox, Free Inquiry, and First Things. His second collection, Still Life with City, will be published by Pski’s Porch in 2020. He lives in Italy.

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SUNLIGHT IS THE BEST DISINFECTANT by Jeneva Stone

Jeneva Stone is the author of Monster, a mixed genre collection. She has received fellowships from the MacDowell and Millay Colonies. Her poetry and essays have appeared in numerous literary journals, including Waxwing, Scoundrel Time, and APR, with work forthcoming in New England Review.

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TREMORS by Hattie Myers

“To be stupefied,” Jared Russell explains in his provocative essay Stupidity, “is to regress in the face of the unexpected, to have one’s critical faculties paralyzed.” The contributors to Room 2.20 may be terrified and even heartbroken in the face of the unexpected, but they are not stupefied.

Illustration by Mafe Izaguirre

DIVING INTO THE STREAM by Daniel S. Benveniste

I relocated from San Francisco to Caracas, Venezuela, in March 1999, just one month after Hugo Chávez assumed the presidency. He presented himself as a socialist intent on helping the underclasses and ending corruption, and I was ready to sign up. In addition to my practice and teaching at Universidad Central de Venezuela and Universidad Católica Ándres Bello, I started writing a monthly article in the English-language newspaper under the title “The Psychology of Everyday Life,” addressing topics such as childrearing and adolescent issues.

Photo by Duncan C

TRUMP’S WALL by Sheldon Bach

In the Anglo-American world, men are brought up to value a body image that is hard, flat, and impermeable, more like a wall, whereas women are taught to value or at least be content with one that might be softer or more flexible and is certainly leaky, like a fence.

Photo by Michael Vadon | Edited by Mafe Izaguirre

PROJECTION AS A POLITICAL WEAPON by Chris Bell and Gary Senecal

Donald Trump’s penchant for attacking his opponents by projecting onto them his own disavowed personal attributes and apparent self-assessments has been a consistent feature of his rhetorical style and remarked upon by many observers. For instance, in her recent book The Death of Truth: Notes on Falsehood in the Age of Trump, Michiko Kakutani (2019) observes, “Trump has the perverse habit of accusing opponents of the very sins he is guilty of himself: ‘Lyin’ Ted,’ ‘Crooked Hillary,’ ‘Crazy Bernie.’

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STAYING THE COURSE by Hattie Myers

We have lost our grip on any shared sense of reality. Post-Truth philosophers provide cold comfort, telling us we haven’t really lost anything; we have, in fact, gained understanding that reality has never been there to grip. And the deconstructivists tell us that the credibility of any source (and we can include the post-truth philosophers here) is up for grabs. Any way you turn it, truth is subjective and personal. Truth is what we agree upon. Truth is tribal. ROOM 10.19 weaves together a few psychoanalytic truths. We do not hold these truths to be self-evident. Psychoanalytic truths are hard won.

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NEOLIBERAL GASLIGHTING by Scott Graybow

The term “analytic action” assumes new complexity when we use it to enhance meaningful discourse about our unsettling and turbulent political reality. It opens doors to the possibility of kindling a deeper connection to parts of our psychoanalytic heritage, such as Freud’s free clinic movement. It brings to mind concerns expressed by early psychoanalysts Otto Fenichel, Wilhelm Reich, and Erich Fromm about the way sick societies produce troubled minds. Most importantly, it introduces two pressing questions. First, what issues occurring outside the consulting room demand analytic action? Second, what renders “action” outside the consulting room “analytic”?

© Sophie Sandberg. Temporary graffiti made with chalk by Sophie Sandberg in New York City for the art street action @Catcallofnyc to stop harassment

CATCALLS OF NYC by Sophie Sandberg

Catcalls of NYC is a grassroots initiative and collective that uses public chalk art to raise awareness about gender-based street harassment. We solicit stories of harassment and their locations in New York City. Then, we go to those locations, write out the comments word-for-word in sidewalk chalk alongside the hashtag #stopstreetharassment…

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TOXIC DRIP by Charles Rizzuto

Think back, if you will, to the halcyon days of the Reagan regime, with the Great Communicator’s elaborate economic agenda he called “trickle-down economics.” The alleged benefits never trickled down to most of us, and we know now that the whole thing was little more than a hoax disguising further wealth distribution upward. (We’ll put aside, for now, the fact that the current administration has once again duped the nation and resurrected this bogus plan with its recent tax cuts and other deep discounts for the wealthy and superwealthy.)