Inheritance

Her hands stayed busy,
folding sorrow into tins,
stacking them in cupboards
as if grief could be stored,
opened later,
shared out like bread.
The tins rattled sometimes,
late at night,
a faint clatter
when the house shifted in its sleep.
She told us it was nothing,
only mice,
but I knew the sound of sorrow
trying its lid.
She scrubbed the floor
until the linoleum split,
knees blue,
palms raw,
water clouded with suds and penance.
Not prayer,
but something like it—
her own liturgy of bleach.
We learned to keep still,
to hold our tongues
until the quiet grew heavier than us,
until even the table
seemed to bow beneath it.
The house leaned into its own hush.
Doors refused to slam.
Floorboards swallowed their groans.
Even the walls learned not to creak.
Silence drifted through us
like damp in the plaster,
creeping, unremarked,
staining everything it touched.
It was not gift,
not legacy,
but a weight wrapped carefully
and passed from hand to hand,
as if it might one day
belong to me.
- Natasha Kinsella is an Irish poet and essayist drawn to the places where faith, silence, and inheritance converge. Her work listens to what the body remembers when language falters. It has been highly commended in the 2025 Patrick Kavanagh Award, awarded second place in the New Writers Poetry Prize (Anthology), and published in Abridged and Beyond Words magazine.
- Email: natashakinsella078@gmail.com
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