Artwork by Wacomka /Shutterstock.com

BETWEEN TWO HOMES by Tuba Tokgoz

Just before arriving in New York as a graduate student, I was consumed by Harry Potter novels, which describe a boy seizing his chance at a life in an alternate universe with its own realities and its own customs and history. What is valued in the old world is not necessarily appreciated in the new world, and vice versa. Novels such as The Hobbit, His Dark Materials, Chronicles of Narnia, and Coraline, in which characters travel to imaginary worlds where time and reality flow differently, resonate with me, perhaps because moving to another country involves bold changes in every aspect of life—geography, climate, architecture, customs, language, and even time.

Artwork by Jehyun Sung

MY EYES ARE STILL BROWN by Tareq Yaqub

The physician is becoming increasingly frustrated and, now, nervous. Fearing a negative outcome, the physician presents my mother with a waiver stating she is declining the C-section. My mother apprehensively, yet confidently, signs it. This is my signal. Amid the screams of my mother, my head decides to finally make an appearance. I am welcomed into the world with a blue body and noose around my neck. My mother declares her victory over “modern” medicine. Within minutes, she is holding me in her arms, and our brown eyes meet for the first time.

Artwork by NeoLeo/Shutterstock.com

NONE OF THE ABOVE by Paula Coomer

I am in the not-unique position of coming from mixed heritage. Like many of us who hail from the Kentucky and Tennessee Appalachians (we pronounce it apple-ate-cha, not apple-atsha), my family is a mix of African, Native, and Scottish. Except for the white boy who raped my fifteen-year-old Cree/Cherokee grandmother to make my mother. We don’t really know what he was, other than the obvious. In old photos of my family, we look like a checkerboard. The young ones are towheaded and fair-skinned, the grandparents wonderfully burnished, the between generation coffee and cream.

Artwork by Luca Bravo

QUARANTINE IN VENICE by Luca Caldironi

The title of the last Venice Biennale Art exhibition was “May You Live in Interesting Times,” and the title of the next Architectural Biennale exhibition is “How Will We Live Together?” I found these two topics not only extremely interesting and provocative but also particularly pertinent to the reality we are experiencing right now. Let’s start with the first. What times are we living now?

Artwork by Wacomka /Shutterstock.com

CYTOKINE STORM by Bartosz Puk

Bion said that when two people meet, an emotional storm is created. What are the possible cytokine-emotional storms when two people cannot meet? Can they be felt in mutuality still without an individual breakdown?

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FROM AN OTHER PERSPECTIVE by Fang Duan

At first, I did not know why I was weeping inconsolably upon seeing the image of George Floyd’s naked face as his neck was crushed by the knee of a man fully armed with police gear and, more strikingly, a look of total nonchalance. I did not know why I could not bear watching the video of one human, so unmoved, with such ease, squeezing the life out of another human being who was squirming, pleading, begging, calling for his momma.

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ANCESTRAL SPACES by Marcia Black

What if our patients who “feel too much” aren’t just poorly regulated but are sensing something more that needs to be told? What if our patients who have been called “too sensitive” really are resonating with a more collective grief than their own? What if they have capacities and sensitivities that overwhelm them because no one has believed them and trained them how to use them? What if they feel “different” from others, not just because of trauma, or neuropsychological differences, but because they are carriers of old truths, of memories from before their time?

Photo by Pawel Czerwinski

LEARNING FROM CHICKENS by Linda Emanuel

It had been an unseasonably hot day in July. The news said—improbably, I felt—that it didn’t break a record. The fifteen chickens in the coop next to me panted through their open beaks, spread their wings to create shade, or moved within the stingy shadows, one pecking the neck of another to get a place to scratch down to cooler earth.

Photo by Annie Spratt

POLLUTION: THE CASE OF INDIA by Shreya Varma

Early in January 2020, while anxiously speaking to a colleague, I was thinking about how I have become dysfunctional. I obsessively read everything. My panic-stricken and recurring thoughts about the state of my country, my home, were haunting me like a waking nightmare. My colleague at the time responded and said, “That’s how everyone is. Panic and dysfunction are not a pathology of the individual anymore. You are not alone.”

Photo by Umut Rosa/Shutterstock.com

GRIEF SUSPENDED IN EXPLOSION by Lara Sheehi

Karachi is underwater. They say the flooding is devastating. They speak as though it is constitutive of the people of Karachi to suffer, that they just can’t imagine another way of being: hardship, plight, poverty. 1948 is all that comes to mind. Partition. Colonialism. But nineteen years and counting: Afghanistan, that is how Pakistan exists to them, a mere association.

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FAULT LINES, BLIND SPOTS, & OTHERNESS by Dinah M. Mendes

The impact of the coronavirus pandemic has been seismic in its exposure of systemic cracks and flaws across the spectrum. Assumptions about what once felt relatively predictable in terms of health and economic safety, job and educational security, and expectations for the future have been upended by the destructive course of the virus. And at the national level, in the equally unpredictable convergence of events that determine historical moments, the fault lines of foundational and transgenerational racism that undergird our country have been highlighted.

Artwork by Franzi /Shutterstock.com

PSYCHOANALYSIS IN THE COMMUNITY by Caroline Volel

I am not yet an analyst. I am a pediatrician for urban public schools and state-regulated behavioral health facilities. In my current capacity, I address the medical needs of hundreds of minority kids and families who are excluded from traditional psychoanalytic culture but who could deeply benefit from this healing art. Every day, I witness both the need for psychodynamic applications on a programmatic scale and imagine possibilities for public health partnerships to enable this process.

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COLLECTIVE DISAPPEARANCE by Rocío Barcellona

I feel as if I’ve been punched in the throat. Being treated like a person is scary here. One must then recognize that one is indeed a person, which then makes one aware of the inhumane realities of this place. I thought I understood then. But as the COVID-19 pandemic unfolded, I got an even better understanding…

Photo by IHH Humanitarian Relief Foundation | Azez, Aleppo.

WAR AND PANDEMIC IN ALEPPO by Mohamad Kebbewar

Danger during the war in Aleppo was marked with sound and smoke. During the pandemic, danger is boundless. It can be everywhere and anywhere. The most fashionable and well-off person can carry the virus and pass it on to me, while on the other hand, an armed person walking next to me on the sidewalk could be harmless. The invisible danger is what makes the virus lethal. In war, if the sound is far away, then I can assume I am safe.

Photo by Matthew Roth

FIRE AND ICE IN PORTLAND by Raphael Ogusz, Maryam Omidi, and Omer Leshem

Portland protesters armed with leaf blowers and cardboard signs face off with masked federal agents sporting fatigues and riot gear—guns, truncheons, and shields. Orange tear-gas clouds plume up from the tarmac as the agents grab protesters and hurl them into unmarked cars. These are images typically associated with far-off, war-torn countries ruled by authoritarian regimes—not democratic governments. But in less than six months, some of the most toxic elements of the US national psyche have risen to the surface, denuded by the global pandemic and bull-horned across the country by the divisive and belligerent rhetoric of the White House.

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LETTERS FROM LOCKDOWN by Tiffany Chu

Last week, I dug up a box of my parents’ old letters. They were written before my parents were married, while my mom was still in Taiwan and an ocean away from my dad in the United States. A surprising number of the letters were in English; the writing is stilted, and it’s clear that English is neither of my parents’ first language, but the mundane recounting of their days felt somehow both endearing and sacred. Holding the tangible artifacts of my parents’ courtship in my hands, I imagined for the first time the twentysomethings they were when they wrote those letters.

Illustration by Mafe Izaguirre

DIVING INTO THE STREAM by Daniel S. Benveniste

I relocated from San Francisco to Caracas, Venezuela, in March 1999, just one month after Hugo Chávez assumed the presidency. He presented himself as a socialist intent on helping the underclasses and ending corruption, and I was ready to sign up. In addition to my practice and teaching at Universidad Central de Venezuela and Universidad Católica Ándres Bello, I started writing a monthly article in the English-language newspaper under the title “The Psychology of Everyday Life,” addressing topics such as childrearing and adolescent issues.