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Room 2.19 is about the powerful intrapsychic and geopolitical forces that threaten to hijack our minds, souls, and agency —and along with that, our communities and countries.
Being involved in global violence prevention and dealing with genocides, gender-based violence, civil wars, and suicides, the last thing on my mind was domestic partisan politics.
I work at an agency in a central city in Israel that focuses on treating children who are survivors and perpetrators of sexual violence. The office has one bathroom with two private toilet rooms: a toilet without a toilet seat…
Crossing borders in the recent past was probably less confusing and demanding than it is now. Institutions, social norms, and rituals made borders more rigid, and prior to the digital revolution and hyperglobalization, borders were more stable.
I am sitting in my office, thinking about rooms. Writing for Room has prompted this state of reverie, during which one of my favorite works, A Room of One’s Own, passes through my mind. In her essay, Virginia Woolf writes…
A young man came to see me suffering from what he described as an “identity crisis.” He felt lost and didn’t know who he was or what he wanted. His family had fled from their country of origin during a…
Mohamad Kebbewar was born and raised in Aleppo. Immigrating to Canada at age 19, Kebbewar earned a degree in history from Concordia University before becoming a graphic designer. He recently published a chapbook with JackPine Press entitled The Soap of…
Anne Sherwood Pundyk is a painter and writer based in Manhattan and Mattituck. Her recent solo exhibitions include Salena Gallery, LIU Brooklyn, NY; Adah Rose Gallery, Kensington, MD; and Christopher Stout Gallery, Bushwick, NY. A selection of her group exhibitions…
I had a safe childhood growing up in Brezhnev-era Soviet Russia. My family was a rather typical one, according to the principle formulated by Leo Tolstoy in Anna Karenina: “All happy families are alike; each unhappy family is unhappy in…
I can thank Donald Trump for one thing and one thing only: he got me to read things I never would have read before. As my anxiety about his rhetoric kept increasing, Jason Stanley’s book On How Fascism Works: The…
Polly Weissman is a mostly nonfiction writer who takes facts more seriously than is currently fashionable. She has published books for children and contributed to many textbooks. She is currently working on a novel about someone who keeps getting it…
Two protestors stand side by side—one black, the other white. The black figure holds a sign that reads “I Can’t Breathe”; the white figure holds a sign that reads “I Can’t See.” I am the youngest daughter of Jack (an…
In the fall semester of 2016, PHIL 410 met on Wednesdays, in the Campbell-Meeker seminar room, from 7:00 to 10:00 p.m. It was my first upperclassman seminar, as well as my first course with Alexandra Bradner, who would later become…
McKenzie Stojnić is an NYC-based media performance group composed of Jon McKenzie and Aneta Stojnić. Their work operates at the intersections of art/life, theory/practice, and episteme/doxa through talks, lecture performances, comics, videos, texts, and workshops.
Yes, there was a blue wave in November 2018, but many of the races were achingly close. Even factoring in the distortions of gerrymandering, the country is torn. As a liberal New York psychoanalyst who has spent time in Christian…
In all obvious ways, I am not an outsider. I am not isolated from the majority by dint of my sexual orientation, skin color, class, religion, disability, or appearance— all the notable and painful ways one can become marginalized.
Room’s definition of itself as a “sketchbook of psychoanalytic action” got me thinking: What is psychoanalytic action? Is it action informed by considerable analysis of all its components and determinants?
Before I read this book, which I heard about not long after it was published in 2013, I thought it would turn out to be a worthy effort to apply psychoanalytic and interdisciplinary thinking to the nightmare subject of climate…
