LEAVING THE HOLE by Susanna Stephens
It’s been more than a year in semi-lockdown, and I have to push myself to leave the hole I’ve been working and sleeping out of—the hole that is my bedroom, a kind of symbol of my libido, somehow both empty…
It’s been more than a year in semi-lockdown, and I have to push myself to leave the hole I’ve been working and sleeping out of—the hole that is my bedroom, a kind of symbol of my libido, somehow both empty…
Six faces stared through cyberspace as our writing workshop began. In all the groups I’ve led lately, as part of an initiative aimed at helping health care workers and first responders find their way through grief, some stories linger in…
[Nature] has her [sic] own particularly effective method of restricting us. She destroys us—coldly, cruelly, relentlessly, as it seems to us, and possibly through the very things that occasioned our satisfaction…
Elegy and Observation is an environmental requiem. Drawing on ancient and modern texts, the piece leaps and lurches among perspectives from intimate to global, tender to catastrophic. So too, our perceived relationship to the natural world is constantly shifting, from…
In Susan Kassouf’s essay “A New Thing Under the Sun” (ROOM 6.21), she writes of her dismay in finding that there would be no mention of the more-than-human environment during her psychoanalytic training. I want to expand Kassouf’s premise about…
My awareness of the climate crisis started like tiny raindrops in a pond, splashes of recognition each time I read a news article about the catastrophic consequences of our warming world…
Early in the pandemic, I realized that what I needed was an instruction book that would tell me how to survive. I pictured it, a guide tailored to my personal needs, the first section titled How to be a Psychotherapist…
Naomi Janowitz is a graduate of the San Francisco Center for Psychoanalysis. Her articles have appeared in the American Journal of Psychoanalysis and Psychoanalytic Psychology. She teaches Religious Studies at the University of California, Davis. Her most recent book is…
We talk about the blues as sadness and transcendence of sadness. As an American Black, my experience tells me that it certainly seems to be both of these things simultaneously—contradictory things existing together, something we psychoanalysts know about. To me…
Ayşe Tekşen lives in Ankara, Turkey, where she works as a research assistant at the Department of Foreign Language Education, Middle East Technical University. Her work has been included in Brickplight, the Willow Literary Magazine, Fearsome Critters, Susan, the Broke…
“An urgent sense of the possible contributed to my pursuit of psychoanalytic training over a decade ago, back when CO2 levels were still below 400 ppm. At the time, my analyst and my own analysis were introducing me to an…
D. Dina Friedman has published widely in literary journals and received two Pushcart Prize nominations for poetry and fiction. She is the author of one book of poetry, Wolf in the Suitcase (Finishing Line Press), and two young adult novels,…
As an article or essay that I am writing is nearing completion, I take the essential step of reading it aloud to myself. I have found that this practice helps me identify phrases, sentences, or paragraphs that feel awkward in…
An urgent sense of the possible contributed to my pursuit of psychoanalytic training over a decade ago, back when CO2 levels were still below 400 ppm. At the time, my analyst and my own analysis were introducing me to an…
“AWASSNI, AWASSNI.” The man screamed these words before letting out a guttural cry. Awassni is Arabic for “he shot me.” It had been some years since the war began, and most of us had learned to distinguish sound more keenly.…
The news photos—the bulky container ship straddled across the straight blue gash cut through yellow sands—prompted memories of my wonder and curiosity when, as an eight-year-old in June 1956, I gazed down from the deck of the P&O liner Strathaird…
I stood in front of the granadillas for what felt like an eternity, holding an empty plastic bag in my right hand and a shopping basket in my left. (A granadilla is a small South American fruit, with a round…
Jacqueline Shatz’s work has been included in exhibitions at the June Kelly, Monique Knowlton, and Kouros galleries in New York City, and she has curated and organized many exhibitions, including CollageLogic which was last presented in 2012 at Hampden Gallery…