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Abdulmueed Balogun is a Nigerian poet and an undergrad at the University of Ibadan. He is a 2021 HUES Foundation Scholar and a poetry editor at the Global Youth Review.
One afternoon, several years into my tenure at Wayne State University, I got a phone call during my office hours from a journalism student who wanted to meet with me. When I asked her what it was about, she explained…
All of us are regularly asked to engage with the past in some way. The world is saturated by history. But, then, a simple question: What is history? Ask fifty people and you’ll get, typically, fifty shades of the same…
[…]in 2006, I received a phone call from Dr. Tong in Wuhan. She had read my work on female psychology and development. They had a big problem they thought I could help them with.
Distance is nothing new for psychoanalysts. Except for all the unimaginable newness, of course. The profound losses to be reckoned with for the training—and frankly, the life—I had imagined having before the pandemic. But I have been distant before this.…
Looking out the window from my airplane seat, I anticipated seeing the familiar landmarks of the valley city below—Phoenix, Arizona—as they came into view during the flight’s descent.[…]But then there was a sudden change into the unfamiliar. The body—my body—has…
Kelin Perry is an artist and architect born in Charlotte, North Carolina. She graduated with a Bachelor of Architecture from SCI-Arc in 1979 and has since practiced architecture in Atlanta, Georgia, where she currently lives. Perry’s art centers on found…
I live directly across the street from our neighborhood elementary school, and on 9/11 I sat on this school’s playground with my young children as they circled in a mix of playfulness and aimlessness. They knew something terrible was around[…]In…
Ashley Renselaer is an author, a poet, and an artist from Culver City, California, who attends high school at Windward School.
“Ever since college, I have had only one goal: to become minister of education and change the system in Afghanistan […]. I have worked so hard to reach this goal. Every night before going to sleep, I imagined myself in…
Our Afghan friends are singing to us from far away, with a fearful trill. America promised our support and, at the end, abandoned them. It was sheer treachery. Yet I hope we might find ways to be true friends, that…
Angyvir Padilla lives and works in Brussels. In her practice, she invites us to take a closer look at the places we inhabit. By examining how we embody memory, she proposes that, in the journey between immanence and transcendence, the…
It’s been more than a year in semi-lockdown, and I have to push myself to leave the hole I’ve been working and sleeping out of—the hole that is my bedroom, a kind of symbol of my libido, somehow both empty…
Six faces stared through cyberspace as our writing workshop began. In all the groups I’ve led lately, as part of an initiative aimed at helping health care workers and first responders find their way through grief, some stories linger in…
[Nature] has her [sic] own particularly effective method of restricting us. She destroys us—coldly, cruelly, relentlessly, as it seems to us, and possibly through the very things that occasioned our satisfaction…
Elegy and Observation is an environmental requiem. Drawing on ancient and modern texts, the piece leaps and lurches among perspectives from intimate to global, tender to catastrophic. So too, our perceived relationship to the natural world is constantly shifting, from…
In Susan Kassouf’s essay “A New Thing Under the Sun” (ROOM 6.21), she writes of her dismay in finding that there would be no mention of the more-than-human environment during her psychoanalytic training. I want to expand Kassouf’s premise about…
My awareness of the climate crisis started like tiny raindrops in a pond, splashes of recognition each time I read a news article about the catastrophic consequences of our warming world…
