Click cover to download ROOM 2.25 or previous issues
This is the individual and collective story of a group of Latinx women in New York City. Over the course of a year, twenty-four women participated in Story Circles, with three to seven participants in each group sharing their journeys…
We’d have looked a motley crew, if it hadn’t been so dark. Five of us were on a midnight mission, a small band in dark clothing, struggling up a black hillside a few miles outside Rifle, Colorado. For every dusty…
The paintings, drawings, and photographs that make up my practice grow out of close observation of my surroundings, an awareness of the past, and memory. I am fascinated with the materiality of color and light, the mysteries of proportion and…
[…] With household hammers, we disarmed two nose cones for the Mark 12A warheads built by the General Electric Nuclear Missile Re-entry Division in King of Prussia, PA. The sound of hammers disarming mass-killing weapons echoes in my mind, heart,…
If you go to YouTube and search for Alice Maher and Bobby Powell, you will see me engaged in a Zoom dialogue with a man who was at the US capitol when it was stormed by Trump-supporting Republicans on Jan…
Five members of ROOM’s editorial board decided to read and discuss Coline Covington’s latest book, Who’s to Blame? Collective Guilt on Trial, the third of a series of writings that interweave psychoanalytic ideas with political, social, and group theories, to…
Laine Derr holds an MFA from Northern Arizona University and has published interviews with Carl Phillips, Ross Gay, Ted Kooser, and Robert Pinsky. Recent work has appeared or is forthcoming from J Journal, Full Bleed + The Phillips Collection, ZYZZYVA,…
I am writing this email to tell you about our meeting yesterday with IPA subcommittee at the U.N. We talked about women’s situation in Afghanistan and they talked about my writing which is published in ROOM 6.23. They mentioned that…
Early on February 10, 2002, I sat in a large, crowded room in Kabul, Afghanistan. With coats pulled tight against the icy blasts from broken windows, representatives of the Afghan Interim Authority’s Ministry of Education prepared a plan to open…
At the time of publication of ROOM 10.23, we witnessed the state of Israel announce the collective punishment of the besieged Gaza Strip, cutting off water, food, electricity, and fuel to a population of 2.3 million, half of whom are…
This communication is a response to the two articles published in ROOM 6.23 about the relationship between Israelis and Palestinians in Israel and on the West Bank: Naftally Israeli’s essay “From Erasure to Exclusion” and Richard Grose’s book review of…
“It has been almost two years since we were waiting for you to take action. We expected you to not be just a viewer,” Shegofa Shahbaz wrote to the UN. But because she wasn’t sure the UN would read a…
I am writing this letter on behalf of all Afghan girls. I am Shegofa Shahbaz. I am twenty years old. I grew up among the dust and smoke of explosions, gunshots, fire, war, and sad stories. I grew up with…
Karachi, Pakistan—1997 “How many times have I said—don’t put spices in the food!” My father’s voice ignited my nervous system, scorching through the oppressively humid atmosphere. My mother, who had cooked the food, stared silently at her plate. He pointed…
I am writing this on Israel’s seventy-fifth anniversary, its democratic future shrouded in fog. Sections of society that failed to gain recognition, excluded for years from the main public discourse and centers of power, are now seeking to dismantle it…
I had reached a new low. The heights of the literary profession had never seemed more distant, unreachable. In fact, I lived in an attic. It was a hot and unbearable Istanbul summer. I woke every morning and sometimes every…
[…] My hair could have been held in court as evidence of child neglect. My birth was preceded by an endless list of questions concerning paternity, but the dark, coarse corkscrews that sprang from my crown only served to lengthen…
Traversing boundaries, cultures gained and cultures lost, and sensations across time and space are continual themes in my work. I left India at age eight and, ever since, have worked to reconcile what has been lost and found. My work…
I spent the better part of a month in 2022 in lower Manhattan on a wooden bench in the back of a courtroom, observing a rape trial. Early on, I’d concluded my testimony on behalf of the victim, but, emotionally…
