McKenzie Stojnić is an NYC-based media performance group composed of Jon McKenzie and Aneta Stojnić. Their work operates at the intersections of art/life, theory/practice, and episteme/doxa through talks, lecture performances, comics, videos, texts, and workshops.
Yes, there was a blue wave in November 2018, but many of the races were achingly close. Even factoring in the distortions of gerrymandering, the country is torn. As a liberal New York psychoanalyst who has spent time in Christian — including Evangelical — circles, I think we on the left have difficulty understanding how frequently we are seen as hypocritical in the moral sphere.
In all obvious ways, I am not an outsider. I am not isolated from the majority by dint of my sexual orientation, skin color, class, religion, disability, or appearance— all the notable and painful ways one can become marginalized.
Room’s definition of itself as a “sketchbook of psychoanalytic action” got me thinking: What is psychoanalytic action? Is it action informed by considerable analysis of all its components and determinants?
Before I read this book, which I heard about not long after it was published in 2013, I thought it would turn out to be a worthy effort to apply psychoanalytic and interdisciplinary thinking to the nightmare subject of climate change.
The writing is clear on the wall and has been for some time now for anyone open to facts. Demographics in the US all speak to the demise of the Republican Party as currently constituted.
It has been over a year that I had sent you my piece “Playing with Guns” after attending a church Halloween Festival for children that had many games centered around toy guns. I am happy to report that Blacksburg Christian Fellowship has made changes to its Halloween celebration.
“Bravery,” Coline Covington, a psychoanalyst living in London, told me last spring, “exists in the eyes of the beholder. No one who has done something…
The world listens as Donald Trump, President of the United States, on a state visit to the United Kingdom bemoans the fact that Prime Minister…
Politics is about power — who has it and who doesn’t. Politics is also about ethics, fairness, justice, and governing assumptions about the state of nature…
William Blake was outraged by the idea of a bird in a cage, it being a violation of the natural order. One can only imagine what he would think…
Engaging with marginalized social histories and recognizing the psychic consequences these histories hold for the treatment dyad poses a challenge for psychoanalysis…
Lately, a dream I had twelve years ago has been coming back to me. I dreamt that my four-year-old son (he’s sixteen now) was buried neck deep in the middle of a neighborhood and surrounded by modest houses…
“Nigger take this! Take it, I tell ya!” Howard yells at the black carhop. It is 1951 in Macon, Georgia. I am eight years old. My brother, Toby, is six. We are in the back seat of a 1948 Ford. I am cringing. I do not know what Toby…
What happened to the party of the working class? When did the Democratic party become a party that neglects the poor? When did politicians stop fighting for economic equality…
As a young candidate transferring from the field of performing arts and theory into psychoanalysis, I am struck by their provocative resonances. In addition to theoretical connections, I have noticed between psychoanalysis and performing arts/performance studies…
The “fourth wall” is a technical device used by actors. It works in the following way: Actors choose a spot in the back of the theater, internalize it, and move on with the action, bypassing the potential interference of….
Room never knows where the next submission will come from. With every essay, poem, photograph, image of art, piece of music, or description of activism…
Anniversaries exist as a demand to remember and, as such, they have a great deal in common with the work of psychoanalysis. Looking back from the vantage of ROOM’s first anniversary, it is amazing to recall that ROOM might not have happened at all but for a fortuitous accident.
The folks in the images appearing with this essay hold the traumas of racism, immigration, natural disaster and genocide. I show these faces because they reflect experiences of trauma so many of us Americans contain, directly or intergenerationally. I point to these images also to reflect on the ongoing fact that Donald Trump and his supporters’ aggressive words, policies and actions
against these already vulnerable people — against what is vulnerable in us all — has been traumatizing or re traumatizing for far too many.