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Essays Gustave Moreau: Oedipus and the Sphinx (1864) | Photo by Ed Uthman

A FAMILY ROMANCE by Jeri Isaacson

In mythology, in fairy tales, and in psychoanalysis, losing one’s sight often indicates that a disaster has occurred, an event so unbearable that it is no longer possible to look at it. Yet in the ongoing scourge that is the…

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Poems Scanned paper by Mafe Izaguirre

CLYTEMNESTRA by Sara Mansfield Taber

Sara Mansfield Taber is the author of Born Under an Assumed Name: The Memoir of a Cold War Spy’s Daughter, the writer’s guide Chance Particulars: A Writer’s Field Notebook, and two books of literary journalism. Her poetry, essays, travel, and…

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Essays Illustration by Mafe Izaguirre

VAGINAL VERITAS by Jill Gentile

In a recent interview1, Adam Phillips ventured the hypothesis that psychoanalysis was invented to address the problem of misogyny. This was a bold and unusual statement, and though we’ve long been initiated into Phillips’s refreshing, even scandalous, takes on often…

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Art © Francesca Schwartz

CITY OF WOMEN by Francesca Schwartz

City of Women is an encounter with the confusion about what happens to a woman’s body over her lifetime. We become divided subjects from the beginning — separated from the womb and ourselves in birth. Then the divided mind, now…

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A LESBIAN LEANS IN by Ellen Marakowitz

At the 2019 Oscars, Period. End of Sentence won the Oscar for Best Documentary Short. The film, about fighting stigma against menstruation in rural India, marked the first time a film about menstruation made it to the Oscars stage.

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REVISITING A DREAM by Joan Golden-Alexis

Currently trauma is defined less in terms of the personal (the individual) and more in terms of the collective (the social-political) with its potentially insidious soul-destroying qualities. This is Maria Root’s concept of everyday or “insidious trauma.” Root here is…

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A MAN WHO HATES WOMEN by Raquel Berman

As a psychoanalyst practicing in Mexico City, I have been thinking, writing and researching for decades about the unfathomable phenomenon of feminicide. The cultural, sociological, political, and economic complexities that have contributed to the killing of women are, I believe,…

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Art © José Vívenes

ENOUGH OF FALSE HEROES by José Vívenes

José Vívenes is a Venezuela-based painter. His work reconsiders the gaze given to collective references. Vívenes assumes painting as a means of communication to reflect on the complex circumstances that his country, Venezuela, is going through.

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