Artwork by NeoLeo/Shutterstock.com

NONE OF THE ABOVE by Paula Coomer

Essays

I am in the not-unique position of coming from mixed heritage. Like many of us who hail from the Kentucky and Tennessee Appalachians (we pronounce it apple-ate-cha, not apple-atsha), my family is a mix of African, Native, and Scottish. Except for the white boy who raped my fifteen-year-old Cree/Cherokee grandmother to make my mother. We don’t really know what he was, other than the obvious. In old photos of my family, we look like a checkerboard. The young ones are towheaded and fair-skinned, the grandparents wonderfully burnished, the between generation coffee and cream.

Artwork by Luca Bravo

QUARANTINE IN VENICE by Luca Caldironi

Essays

The title of the last Venice Biennale Art exhibition was “May You Live in Interesting Times,” and the title of the next Architectural Biennale exhibition is “How Will We Live Together?” I found these two topics not only extremely interesting and provocative but also particularly pertinent to the reality we are experiencing right now. Let’s start with the first. What times are we living now?

Artwork by Wacomka /Shutterstock.com

CYTOKINE STORM by Bartosz Puk

Essays

Bion said that when two people meet, an emotional storm is created. What are the possible cytokine-emotional storms when two people cannot meet? Can they be felt in mutuality still without an individual breakdown?

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FROM AN OTHER PERSPECTIVE by Fang Duan

Essays

At first, I did not know why I was weeping inconsolably upon seeing the image of George Floyd’s naked face as his neck was crushed by the knee of a man fully armed with police gear and, more strikingly, a look of total nonchalance. I did not know why I could not bear watching the video of one human, so unmoved, with such ease, squeezing the life out of another human being who was squirming, pleading, begging, calling for his momma.

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ANCESTRAL SPACES by Marcia Black

Essays

What if our patients who “feel too much” aren’t just poorly regulated but are sensing something more that needs to be told? What if our patients who have been called “too sensitive” really are resonating with a more collective grief than their own? What if they have capacities and sensitivities that overwhelm them because no one has believed them and trained them how to use them? What if they feel “different” from others, not just because of trauma, or neuropsychological differences, but because they are carriers of old truths, of memories from before their time?

Photo by Pawel Czerwinski

LEARNING FROM CHICKENS by Linda Emanuel

Essays

It had been an unseasonably hot day in July. The news said—improbably, I felt—that it didn’t break a record. The fifteen chickens in the coop next to me panted through their open beaks, spread their wings to create shade, or moved within the stingy shadows, one pecking the neck of another to get a place to scratch down to cooler earth.

Photo by Annie Spratt

POLLUTION: THE CASE OF INDIA by Shreya Varma

Essays

Early in January 2020, while anxiously speaking to a colleague, I was thinking about how I have become dysfunctional. I obsessively read everything. My panic-stricken and recurring thoughts about the state of my country, my home, were haunting me like a waking nightmare. My colleague at the time responded and said, “That’s how everyone is. Panic and dysfunction are not a pathology of the individual anymore. You are not alone.”

Photo by Umut Rosa/Shutterstock.com

GRIEF SUSPENDED IN EXPLOSION by Lara Sheehi

Essays

Karachi is underwater. They say the flooding is devastating. They speak as though it is constitutive of the people of Karachi to suffer, that they just can’t imagine another way of being: hardship, plight, poverty. 1948 is all that comes to mind. Partition. Colonialism. But nineteen years and counting: Afghanistan, that is how Pakistan exists to them, a mere association.