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STAYING THE COURSE by Hattie Myers

Editorials

We have lost our grip on any shared sense of reality. Post-Truth philosophers provide cold comfort, telling us we haven’t really lost anything; we have, in fact, gained understanding that reality has never been there to grip. And the deconstructivists tell us that the credibility of any source (and we can include the post-truth philosophers here) is up for grabs. Any way you turn it, truth is subjective and personal. Truth is what we agree upon. Truth is tribal. ROOM 10.19 weaves together a few psychoanalytic truths. We do not hold these truths to be self-evident. Psychoanalytic truths are hard won.

A joung man standing on a yellow and red background edited with a motion effect

NEOLIBERAL GASLIGHTING by Scott Graybow

Essays

The term “analytic action” assumes new complexity when we use it to enhance meaningful discourse about our unsettling and turbulent political reality. It opens doors to the possibility of kindling a deeper connection to parts of our psychoanalytic heritage, such as Freud’s free clinic movement. It brings to mind concerns expressed by early psychoanalysts Otto Fenichel, Wilhelm Reich, and Erich Fromm about the way sick societies produce troubled minds. Most importantly, it introduces two pressing questions. First, what issues occurring outside the consulting room demand analytic action? Second, what renders “action” outside the consulting room “analytic”?

© Sophie Sandberg. Temporary graffiti made with chalk by Sophie Sandberg in New York City for the art street action @Catcallofnyc to stop harassment

CATCALLS OF NYC by Sophie Sandberg

Art

Catcalls of NYC is a grassroots initiative and collective that uses public chalk art to raise awareness about gender-based street harassment. We solicit stories of harassment and their locations in New York City. Then, we go to those locations, write out the comments word-for-word in sidewalk chalk alongside the hashtag #stopstreetharassment…

Photograph of a wave of black water

TOXIC DRIP by Charles Rizzuto

Essays

Think back, if you will, to the halcyon days of the Reagan regime, with the Great Communicator’s elaborate economic agenda he called “trickle-down economics.” The alleged benefits never trickled down to most of us, and we know now that the whole thing was little more than a hoax disguising further wealth distribution upward. (We’ll put aside, for now, the fact that the current administration has once again duped the nation and resurrected this bogus plan with its recent tax cuts and other deep discounts for the wealthy and superwealthy.)

© Mafe Izaguirre Digital numbers in color red showing as a giant clock on east river counting down days left in president trump's term

STILL HERE by William W. Harris

Essays

Well, it has been a little over a year, and he’s still here. I have stopped binge-watching TV, but he is still infecting my life. How can I ignore the Greenland saga or tune out the furious tears in response to the caged children or the empty chair at the G7 climate session?

Black hands in a prayer

SO I LISTEN by Abraham Velazquez, Jr.

Essays

I remember my first time being at The Brotherhood/Sister Sol (Bro/Sis) and participating in their writing program, The Lyrical Circle. It was held in the space where we would be sharing and creating art for years to come. We met in a small room on the second floor of a beautiful brownstone in the Hamilton Heights neighborhood of Harlem. The walls were radiant with bright yellows, and beautiful West African art decorated the room.

Blurred photograph of a person from the back with a red sweater

ON EDGE by Michael A. Diamond

Essays

All of us work at the boundary. In fact, we work and live at multiple boundaries. We belong to numerous systems and relational networks. The idea of boundary is a metaphor for where and when we come into contact with each other as human subjects and objects —what Thomas Ogden calls “the primitive edge of experience.”

© Artist Patrick Webb's paint titled Red

INTIMACIES by Patrick Webb

Art

Anna Fishzon navigates one of the most recent groups of work by Patrick Webb: Intimacies. Placing us in the hands of Punchinello — the main character in Webb’s scenes — Fishzon guides the conversation through the communion of two souls: the artist’s and his alter ego’s.

Punchinello cautiously becomes the thread linking the evolution of two worlds, neither absolute nor separate, between the realities of the artist and his character.

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NATIONAL HISTORIES AND IDENTITY by Daniel S. Benveniste

Essays

From 1999 through 2010, I lived in Caracas, Venezuela. I arrived just after Hugo Chávez began his presidency, so I saw a rather vibrant Venezuela for several years before its subsequent deterioration under Chávez’s Bolivarian Revolution. As an immigrant, I saw Venezuela as an outsider, and at the same time, I could reflect on the United States from outside its borders.

Judson Window, Wikimedia

A WINDOW IN by Elizabeth C. Evert

Essays

As a magazine at the intersection of the psychological and the political, Room has published a number of articles that aim to explore the cultural divides in the US and beyond. In this vein, Jacob Smith has written a piece about being an Evangelical Christian in 2019, who cares deeply about humanitarian as well as spiritual issues.