Eugene Mahon, MD, is a training and supervising psychoanalyst at Columbia Psychoanalytic Center for Training and Research. He has published four books—Such Stuff as Dreams, A Psychoanalytic Odyssey, Rensal the Redbit, and Bone Shop of the Heart—and numerous articles on psychoanalysis. He practices in New York City.
Terri Greco’s poems have appeared in Tar River Poetry, North Carolina Literary Review, San Pedro River Review, Jacar Press, and Main Street Rag. She was the recipient of a James Applewhite Poetry Prize (Honorable Mention, 2020) and an honorable mention in Kakalak (Main Street Rag, 2019). She was a James Applewhite semifinalist (2022). She lives in Chapel Hill, North Carolina.
Joanne Brooks is a psychoanalyst and psychoanalytic psychotherapist, a member of the Institute of Psychoanalysis, and head of professional practice for the British Psychoanalytic Council. Based in Edinburgh, Scotland, where she has an independent practice, she is a training therapist and supervisor with the Scottish Association of Psychoanalytic Psychotherapy. She has an MPhil in Creative Writing from the University of Newcastle and has exhibited her work at the Northern Poetry Festivals in 2016 and 2017: in 2016 on the theme of Northern landscapes as part of a collaborative project between poets and artists and in 2017 for Steps in Time, a poetry app guiding users on a poem-walk across Newcastle. Her MPhil thesis draws on the work of Alice Oswald and explores the relationship between poetry, the creative process, psychoanalysis, listening, and voice. In her work as a psychoanalyst and poet, she continues to explore and develop these themes.
Nancy Kuhl’s fourth book of poetry, On Hysteria, is forthcoming from Shearsman Books in 2022. She was a research fellow at the Western New England Institute for Psychoanalysis from 2010 to 2019. She is co-editor of Phylum Press, a small poetry publisher, and Curator of Poetry for the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University.
Linda Hillringhouse holds an MFA from Columbia University. She is a first-place winner of the Allen Ginsberg Poetry Award (2014) and the second-place winner of Nimrod’s Pablo Neruda Prize for Poetry (2012). Her work has appeared in Lips, New Ohio Review, Paterson Literary Review, Prairie Schooner, Oberon, and elsewhere. She has received fellowships from the MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. She was nominated for a Pushcart Prize in 2020. Her book of poetry, The Things I Didn’t Know to Wish For (New York Quarterly Press, 2020), was longlisted for the Julie Suk Award and shortlisted for the Eric Hoffer Book Award grand prize.
Elizabeth Kandall, PhD, is a psychologist and psychoanalyst in private practice. She is a student of Zen Buddhism at the New York Zen Center for Contemplative Care. She is enrolled in a low-residency MFA in poetry from the Queens University program in creative writing, and she serves on the board of directors at Poets House.
Abdulmueed Balogun is a Nigerian poet and an undergrad at the University of Ibadan. He is a 2021 HUES Foundation Scholar and a poetry editor at the Global Youth Review.
Ashley Renselaer is an author, a poet, and an artist from Culver City, California, who attends high school at Windward School.
Naomi Janowitz is a graduate of the San Francisco Center for Psychoanalysis. Her articles have appeared in the American Journal of Psychoanalysis and Psychoanalytic Psychology. She teaches Religious Studies at the University of California, Davis. Her most recent book is Acts of Interpretation: Ancient Semiotic Ideologies and their Modern Echoes, forthcoming from De Gruyter. She has published poetry in Response and From the Depths.
Ayşe Tekşen lives in Ankara, Turkey, where she works as a research assistant at the Department of Foreign Language Education, Middle East Technical University. Her work has been included in Brickplight, the Willow Literary Magazine, Fearsome Critters, Susan, the Broke Bohemian, the Remembered Arts Journal, Terror House Magazine, Shoe Music Press, Havik: Las Positas College Anthology, Deep Overstock, Lavender Review, Voice of Eve, the Courtship of Winds, Mojave Heart Review, Foliate Oak Literary Magazine, Tipton Poetry Journal, Rigorous, Rabid Oak, the Thieving Magpie, Headway Quarterly, the Roadrunner Review, Helen: A Literary Magazine, the Ilanot Review, and Pensive.
D. Dina Friedman has published widely in literary journals and received two Pushcart Prize nominations for poetry and fiction. She is the author of one book of poetry, Wolf in the Suitcase (Finishing Line Press), and two young adult novels, Escaping into the Night (Simon & Schuster BYR) and Playing Dad’s Song (Farrar, Straus and Giroux BYR). She has an MFA from Lesley University and teaches at the University of Massachusetts Amherst.
Linda Hillringhouse holds an MFA from Columbia University. She was a first-place winner of the Allen Ginsberg Poetry Award (2014), a second-place winner of Nimrod’s Pablo Neruda Prize for Poetry (2012), and was nominated for a Pushcart Prize (2020). Her work has appeared in Lips, New Ohio Review, Paterson Literary Review, Prairie Schooner, and elsewhere. She has received fellowships from the Macdowell Colony, Yaddo, and the Virginia Center for the Creative Arts. Her recent book of poetry, The Things I Didn’t Know to Wish for (New York Quarterly Press) was shortlisted for the Eric Hoffer Book Award Grand Prize in 2021.
Gail Griffin is the author of four books of nonfiction, most recently Grief’s Country: A Memoir in Pieces, named a Michigan Notable Book, and “The Events of October:” Murder-Suicide on a Small Campus. Her essays, poems, and flash nonfiction have appeared widely and been honored in publications including Southern Review, Fourth Genre, Missouri Review, and New Ohio Review. A native of Detroit, she spent a long career teaching literature, writing, and women’s studies at Kalamazoo College, where she won awards for both teaching and creative/scholarly work. She is at work on a collection of personal essays on confronting whiteness; she is also digging through a stack of paper to see if a poetry collection is hiding there. From her vantage point in southwestern Michigan, she studies, and mourns, the cracking open of America and dreams of her next trip to the shore of a Great Lake.
Kelly Cressio-Moeller is a poet and visual artist. Her poetry has appeared in Crab Orchard Review, Gargoyle, Guesthouse, North American Review, Poet Lore, Radar Poetry, Salamander, Southern Humanities Review, THRUSH Poetry Journal, Valparaiso Poetry Review, Water~Stone Review, and ZYZZYVA among others. Her debut collection, Shade of Blue Trees, is forthcoming from Two Sylvias Press. She is an associate editor at Glass Lyre Press.
Bobby Martinez, half Mexican and half Portuguese, is an architect who lives in San Francisco and writes poems when he doesn’t feel any alternative. For the last fifteen years, he has enjoyed reading his poetry at Billy and Radical Faerie Gatherings, as well as at the retreats of his sangha. His poems have appeared in Christopher Street and in an anthology of contemporary Luso-American literature.
Daisy Bassen is a poet and practicing psychiatrist who graduated from Princeton University’s creative writing program and completed her medical training at the University of Rochester and Brown. Her work has been published in Oberon, McSweeney’s, The Sow’s Ear, and [PANK] as well as multiple other journals. She was the winner of the So to Speak 2019 Poetry Contest, the 2019 ILDS White Mice Contest, and the 2020 Beullah Rose Poetry Prize. She was doubly nominated for the 2019 Best of the Net anthology and for a 2019 Pushcart Prize. She lives in Rhode Island with her family.
Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.
Aremu Adams Adebisi is a North-Central Nigerian writer and economist. In 2019, he was nominated for Best of the Net, a Pushcart Prize, and the 2019 Philadelphia Fringe Festival. His work of poetry, “Force Mechanism,” was adapted into Lucent Dreaming’s first theatrical performance in Wales. He has works published in Newfound Magazine, Lucky Jefferson, and elsewhere. He served as a mentor for SprinNG Fellowship and a panelist for the Gloria Anzaldua Prize. He edits poetry for ARTmosterrific, facilitates Transcendence Poetry Masterclass, and curates the newsletter Poetry Weekly on Substack.
Paula Coomer spent most of her childhood in the industrial Ohio River town of New Albany, Indiana. The daughter of more than two hundred years of Kentucky Appalachian farmers, she moved to the Pacific Northwest in 1978. She has been a migrant farm laborer, a waitress, a bean sorter in a cannery, a cosmetics saleswoman, a federal officer, a nurse, and a university writing instructor. Her essays, short fiction, and poetry have appeared in Gargoyle, Ascent, and The Raven Chronicles, among others.
Margarita Serafimova is the winner of the 2020 Tony Quagliano International Poetry Award and a 2020 Pushcart nominee. She has four collections in Bulgarian and a chapbook, A Surgery of A Star (Staring Problem Press). Her chapbook, En Tîm (Wilderness) (San Francisco University Poetry Center), and a full-length collection, A White Boat and Foam (Interstellar Flight Press), are forthcoming. Her work appears widely, including in the Nashville Review, LIT, Agenda Poetry, Poetry South, Botticelli, London Grip, Steam Ticket Literary Journal, Waxwing, A-Minor, Trafika Europe, Noble/ Gas Qtrly, Obra/Artifact, great weather for Media, Origins, and Nixes Mate Review.