The Writing on the Wall by Hattie Myers

The writers and artists in ROOM 2.25 bear witness to what must happen in ourselves, our communities, and our political movements for truth to be faced and change to occur. Some write from amidst genocide, others from their country’s fascist turn, and still others from the impact of environmental catastrophe. Each of these life-threatening events inscribes itself differently on our souls. We live in terrifying times.

In the Midst by Hattie Myers

The writers and artists in ROOM 2.25 bear witness to what must happen in ourselves, our communities, and our political movements for truth to be faced and change to occur. Some write from amidst genocide, others from their country’s fascist turn, and still others from the impact of environmental catastrophe. Each of these life-threatening events inscribes itself differently on our souls. We live in terrifying times.

ROOM 10.24

Toward a New Collectivity by Hattie Myers

Think what it would be like,” Italo Calvino wrote, “to have a work conceived from outside the self, a work that would let us escape the limited perspective of the individual ego, not only to enter into selves like our own, but to give speech to that which has no language… ” Of course we know that no person and no theory can ever escape the limited perspective of Calvino’s “individual ego.” Taken together, however, the authors and artists in ROOM 6.24 are giving language to a world that is rendering us all increasingly speechless.

Portrait of My Grandfather in Uniform by Stefania Baresic

Portrait of My Grandfather in Uniform by Stefania Baresic

I understand my subliminal acknowledgment of this absence as the source of my uncontainable sadness when I look at his image. I recognize the seed of that absence in my younger self as well, when in the grip of my defenses I distanced myself from an other with all my disowned shame around my own vulnerability; in the way I was a mother to my child, when unaware of my own dissociated self-states, I shared with them the heavy anxiety of my emotional inheritance.

Stemming the Flow: Racism in White America by Michael Krass

Stemming the Flow: Racism in White America by Michael Krass

[…] Many of us recognized the need to unblinkingly face the people we kill by our complicity in a racist system, a system that could make such an unabashed murder possible. Many of us started a long-overdue process of mourning the devastating impact of our complicity, of the ways we enact our own nightmares, creating a nightmare for an Other. But such tectonic cultural shifts generate great volatility.

Artwork by 3d_kot /Shutterstock.com

A SEARCH FOR BELONGING by David Stromberg

Growing up in America with immigrant parents, you’re often on your own navigating your future, and so institutions like elementary school become more than just places of study. They become agents of social advancement. One day, in fifth grade, someone came to class and told us about magnet schools, explaining that you could apply to study a particular subject at a particular school. Getting into the program was connected to the category you’d been assigned in tests you’d taken, and there was a mysterious point system that helped you get into this or that school.

Artwork by NeoLeo/Shutterstock.com

NONE OF THE ABOVE by Paula Coomer

I am in the not-unique position of coming from mixed heritage. Like many of us who hail from the Kentucky and Tennessee Appalachians (we pronounce it apple-ate-cha, not apple-atsha), my family is a mix of African, Native, and Scottish. Except for the white boy who raped my fifteen-year-old Cree/Cherokee grandmother to make my mother. We don’t really know what he was, other than the obvious. In old photos of my family, we look like a checkerboard. The young ones are towheaded and fair-skinned, the grandparents wonderfully burnished, the between generation coffee and cream.

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FROM AN OTHER PERSPECTIVE by Fang Duan

At first, I did not know why I was weeping inconsolably upon seeing the image of George Floyd’s naked face as his neck was crushed by the knee of a man fully armed with police gear and, more strikingly, a look of total nonchalance. I did not know why I could not bear watching the video of one human, so unmoved, with such ease, squeezing the life out of another human being who was squirming, pleading, begging, calling for his momma.

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ANCESTRAL SPACES by Marcia Black

What if our patients who “feel too much” aren’t just poorly regulated but are sensing something more that needs to be told? What if our patients who have been called “too sensitive” really are resonating with a more collective grief than their own? What if they have capacities and sensitivities that overwhelm them because no one has believed them and trained them how to use them? What if they feel “different” from others, not just because of trauma, or neuropsychological differences, but because they are carriers of old truths, of memories from before their time?

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DENYING DEATH: LIVING MADNESS A Podcast Review by Richard Grose

Steven Reisner, a New York psychoanalyst known for leading the successful effort to get the American Psychological Association to stop having any connection with torture sessions, has come out with a podcast series called Madness: The Podcast. In episode six, “The Masque of the Black Death (Racism in the Time of Trump),” Reisner speaks to us in a voice that conveys the urgency of this moment when the nation seems to be hurtling toward what could be an explosive decision point regarding Trump.

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REASSEMBLING FRAGMENTS by Zak Mucha

When I was a little kid, I thought my uncle was hysterical. He told no jokes, but he didn’t treat me like a kid, either. He was always a problem for the rest of the family. At one point, my mother told me, “If people in suits come looking for your uncle, you don’t know where he lives.” Actually, he lived down the block. My uncle always had a job but never seemed to be working.

Black photocopy collage by Mafe Izaguirre

AFTER THE WAR by Iris Fodor

When I was a child in the Bronx in the 1940s, whenever a plan for the future was proposed, it would be followed by the phrase
“after the war.” My parents would say, “after the war” my father would quit Ritz radio and start his own business.

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AFTERWARD by Ofra Bloch

There was no way I could have known when I went to Germany to interview the descendants of perpetrators of the Holocaust for my film Afterward that this journey would take the form of a personal analysis. On the surface, I wanted to rid myself of my hatred for these Germans, who had done nothing wrong but whose ancestors tried to kill my people. I wanted to stop the cycle of hate
and othering before I passed it on to my own sons, to the next generation.

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READING RACISM DEEPLY by Daniel Rosengart

If the usual formula is that the negative affects hide in positive speech, overtly racist discourse flips the polarity, but the possibility that a racist discourse might hide a forbidden love, sexuality, or attachment is all too often ignored in clinical treatments that have been published.

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WHITE LETHALITY/ WHITE LEGIBILITY by Michelle Fine

Two protestors stand side by side—one black, the other white. The black figure holds a sign that reads “I Can’t Breathe”; the white figure holds a sign that reads “I Can’t See.” I am the youngest daughter of Jack (an orphan) and Rose Fine, who was the youngest of eighteen children, both Jewish refugees from Poland.