HUNGER, A VISUAL ESSAY by Federico Parra
A girl scavenges for food in the streets of Caracas. From 2014 to 2017, a visual essay about the starvation crisis in Venezuela by the photojournalist Federico Parra.
A girl scavenges for food in the streets of Caracas. From 2014 to 2017, a visual essay about the starvation crisis in Venezuela by the photojournalist Federico Parra.
I got on an M train, thinking it was an F train, I wasn’t paying attention, and rode it out to Williamsburg by mistake. I looked up from the story I was reading about two mathematicians, one of them losing…
Dreams, words, ideas, memories, contradictions—all of it is wrapped together in your feelings. The moment of leaving nears. The departure is certain…
Trump. I am discombobulated because of Trump. I binge watch TV – not Fox, MSNBC. He has infected everything: my dreams, my conscious, my unconscious, dinners with my family, my work.
As I thought about the horror of separating young children from their families at the U.S. border, what came to mind was the London bombings during World War II…
A young woman from Namwon known for her virtue captured the unwanted attention of the newly installed magistrate who was arrogant, cruel, and narcissistic…
When I was asked to write a piece for this newsletter on the subject of play, work/life balance or the analyst at play, I began gathering materials as I usually do in my writing process, and then I wait and…
At first, their silence made me wonder if I had overreacted to the presence of toy guns at the church event due to my experience with gun violence. My husband, Jamie Bishop, was murdered during the Virginia Tech massacre on…
On October 14, 2017, I moderated an event called “Duty to Warn” in New York City. The event was one of several held nationally on that day. The topic was on the psychological fitness of Donald Trump to hold the…
I wish I knew exactly what drew me in. I do recall what I brought: a bullet and my late husband’s dried wedding boutonniere. Melissa Ichiuji, the workshop teacher, was afraid the bullet could explode easily. I reassured her it…
For a while after I came to the U.S. in August 2016, I continued to have dreams which seemed to show that although I had physically moved to the U.S., my mind still needed time to catch up to that…
The publication of Diane Seuss’s poem, “Still Life with Dictator”, in this issue of ROOM made me think of another poem about another dictator which appeared in circumstances very different from these. I refer to the poem on Stalin…
The folks in the images appearing with this essay hold the traumas of racism, immigration, natural disaster and genocide. I show these faces because they reflect experiences of trauma so many of us Americans contain, directly or intergenerationally. I point…
The day in April that Ivanka Trump appeared on the dais with Angela Merkel at the Women’s Summit in Berlin, I was in my office. I was listening to a vibrant and astute young woman in her twenties as she…
For the previous issue of ROOM, I contributed a piece that argued against the idealization of tolerance, diversity and understanding that I see so many in the psychoanalytic community currently engaged in. I’m aware that some readers…
There was a time when I thought that two words—gay and lesbian— and therefore two letters—g and l— sufficed. I now know—in fact I think I always did—that the words gay and lesbian never really did justice to the exceedingly…
“…I sit in my Manhattan apartment feeling elated and full, perhaps because a woman has been nominated as the VP candidate and it feels as though anything is possible…
A patient in her early thirties recently admitted that she hadn’t voted, yet again…
In the epigraph, Jimi Hendrix’s poetic alter-ego expresses skepticism in regard to being seen and heard. Does he pose a question: “Can you see me?”; a demand: “Can you see me!”; or perhaps a plea: “Can you see me…please”?…