TAKING THE U.S. PERSONALLY by Michael A. Diamond
Politics is about power — who has it and who doesn’t. Politics is also about ethics, fairness, justice, and governing assumptions about the state of nature…
Politics is about power — who has it and who doesn’t. Politics is also about ethics, fairness, justice, and governing assumptions about the state of nature…
What happened to the party of the working class? When did the Democratic party become a party that neglects the poor? When did politicians stop fighting for economic equality…
As a young candidate transferring from the field of performing arts and theory into psychoanalysis, I am struck by their provocative resonances. In addition to theoretical connections, I have noticed between psychoanalysis and performing arts/performance studies…
The “fourth wall” is a technical device used by actors. It works in the following way: Actors choose a spot in the back of the theater, internalize it, and move on with the action, bypassing the potential interference of….
There has been a curious omission in the public debate following Dr. Christine Blasey Ford’s testimony to the Senate Judiciary Committee on allegations of sexual assault…
Room never knows where the next submission will come from. With every essay, poem, photograph, image of art, piece of music, or description of activism…
When our yoga teacher first taught us to visualize the space between two joints in our body and then to breathe into that space to open it up, we followed her instructions avidly…
Trump. I am discombobulated because of Trump. I binge watch TV – not Fox, MSNBC. He has infected everything: my dreams, my conscious, my unconscious, dinners with my family, my work.
As I thought about the horror of separating young children from their families at the U.S. border, what came to mind was the London bombings during World War II…
A young woman from Namwon known for her virtue captured the unwanted attention of the newly installed magistrate who was arrogant, cruel, and narcissistic…
Anniversaries exist as a demand to remember and, as such, they have a great deal in common with the work of psychoanalysis. Looking back from the vantage of ROOM’s first anniversary, it is amazing to recall that ROOM might not have happened at all but for a fortuitous accident.
When I was asked to write a piece for this newsletter on the subject of play, work/life balance or the analyst at play, I began gathering materials as I usually do in my writing process, and then I wait and see what thoughts begin to germinate…
It feels impossible to begin this introduction to Room 9.17 without mentioning the attack in Charlottesville even though, by the time you read this, that horrific August weekend will likely be occluded by whatever will have happened next. ROOM is not a blog. It is not a tweet. It is not a newsletter at one with the news. ROOM is a re-occurring place of reflection…
The day in April that Ivanka Trump appeared on the dais with Angela Merkel at the Women’s Summit in Berlin, I was in my office. I was listening to a vibrant and astute young woman in her twenties as she confessed, a little sheepishly, that her new shirt had “trendy” sleeves…
For the previous issue of ROOM, I contributed a piece that argued against the idealization of tolerance, diversity and understanding that I see so many in the psychoanalytic community currently engaged in. I’m aware that some readers…
A patient in her early thirties recently admitted that she hadn’t voted, yet again…
From 1934 -1945, the Rundbriefe was a top secret newsletter that circulated among a small group of socially and politically committed refugee psychoanalysts. Otto Fenichel, its founder and one of Freud’s most eminent followers, urged this small group of analysts not to isolate themselves…
In the epigraph, Jimi Hendrix’s poetic alter-ego expresses skepticism in regard to being seen and heard. Does he pose a question: “Can you see me?”; a demand: “Can you see me!”; or perhaps a plea: “Can you see me…please”?…